Showing posts with label nirvana. Show all posts
Showing posts with label nirvana. Show all posts

Tuesday, November 11, 2014

mtv unplugged in new york








Nirvana found a fitting epitaph in the eternal sigh of this haunted and harrowing acoustic augury.    The band had grown from the indie obscurity of their debut 'Bleach' to begrudgingly find superstardom with their major label debut 'Nevermind'.  Unsatisfied with the slick sound of their breakthrough, for their third album, they defied expectations (and the hopes of music executives) and produced the decidedly radio unfriendly 'In Utero'.  

At this point, the band accepted an offer to do a  performance for the trendy MTV 'Unplugged' series; but they were determined to do it on their own terms.  Producer Alex Coletti remembers:   "We got a setlist out of the band, and other than 'Come As You Are,' there are no real Nirvana hits.  I wish Kurt or someone in the band or management clued us into 'We put thought into this, this works this way, trust us.' Instead it was just [defiantly] 'This is what we’re doing.'...Not being familiar with some of the covers, some of the people here became very tense about 'We’ve got to get them to do more hits.'...I said to MTV, They're going to bring some guests on.' And at first everybody's eyes lit up, like, ‘Who's it gonna be?’ They wanted to hear the 'right names' — Eddie Vedder or Tori Amos…But when I said 'the Meat Puppets,' it was kind of like, 'Oh, great. They're not doing any hits, and they're inviting guests who don't have any hits to come play. Perfect.'"

Also at this time, Kurt Cobain was struggling with stomach problems and addition:    "I've been recuperating...I had done heroin for about a year, off and on. I've had this stomach condition for like five years. There were times, especially during touring, when I just felt like a drug addict - even though I wasn't - because I was starving [an outgrowth of this condition--Editor] and couldn't find out what was wrong with me. I tried everything I could think of. Change diet, pills, everything... exercised, stopped drinking, stopped smoking, and nothing worked. I just decided that if I'm going to feel like a junkie every day fucking morning and be vomiting every day then I may as well take a substance that kills that pain. I can't say that's the main reason why I did it, but that has a lot to do with it. It has a lot more to do with it than most people think...Most of the time I sing right from my stomach. Right from where the pain is...It's definitely there. Every time I've had an endoscope, they find a red irritation in my stomach. But it's psychosomatic, it's all from anger. And screaming. My body is damaged from music in two ways: not only has my stomach inflamed from irritation, but I have scoliosis. I had minor scoliosis in junior high, and since I've been playing guitar ever since, the weight of the guitar has made my back grow in this curvature. So when I stand, everything is sideways, it's weird...It gives me a back pain all the time. That really add the pain to our music. It really does. I'm kind of grateful for it."



Despite his health issues (he had been throwing up bile and blood the night before), the show was taped on November 18, 1993 at Sony Music Studios in New York City.  The set was put together with dark curtains, stargazer lilies, black candles, and a crystal chandelier, as per the request of Cobain ("Like a funeral.").   The performance was produced by Alex Coletti, Scott Litt, and Nirvana and featured Kurt Cobain on lead vocals and acoustic guitar;   Krist Novoselic on acoustic bass, accordion, and acoustic rhythm guitar;  and Dave Grohl on drums, backing vocals, and acoustic bass;   with Pat Smear on acoustic guitar, Lori Goldston on cello,  and special guests The Meat Puppets (Cris Kirkwood on acoustic bass and backing vocals and Curt Kirkwood on acoustic lead guitar) sitting in for renditions of three songs from their 'Meat Puppets II' album.   Challenges that had plagued rehersals evaporated during the live set when Cobain suggested he do 'Pennyroyal Tea' alone.  

Grohl looks back:  "I had this small cocktail drum set and these really light sticks.  In rehearsal, we would do a song, and Kurt would turn to me and say, 'Hey, do you think you could play it a little bit lighter?' 'Oh yeah, I'll try.' So we'd do another take, and he'd turn around and go, 'Could you bring it down just a little bit more?' And we'd do another take, and he'd say, 'You know what, just still, could you bring it down?' And I was like, 'Should I even f---ing be here?' ... We'd seen a lot of other bands do Unplugged tapings, and what they'd done was basically rock out the songs as if they were playing electric instruments. They didn't do anything to change the songs; they just basically plugged in acoustic guitars instead of electric ones. There was no way we were going to try to pull off 'Smells Like Teen Spirit' with f---ing acoustic guitars. It wouldn't work...I think Kurt wanted to bring it down to just the lowest, most dirge-like, Leonard Cohen level, which was really fun. I think that's what made it so special; it wasn't just acoustic versions of Nevermind."


Novoselic joked that the point was "to show off our softer side — like scented toilet paper...Doing MTV Unplugged was a lot of fun…It was a Nirvana triumph, but it's also Nirvana Lite. But it was cool that we managed to pull it off. At least I got to play my accordion."




Rather than re-record songs as was typical for other acts, Nirvana plowed through their set in one take that lasted less than an hour.  After a particularly cathartic version of Leadbelly's 'Where Did You Sleep Last Night', Cobain refused to go back out and do an encore.  His final plea with the producers:   "I can’t top that last song."  

Afterward, Cobain was still uncertain with the tentative audience response, confiding in MTV's Amy Finnerty:  “No one liked it...They just sat there silently.”
She reassured him:  “Kurt, they think you are Jesus Christ.  Most of these people have never had the opportunity to see you that close. They were totally taken with you.” 
Cobain reconsidered:  “I was really fucking good tonight, wasn’t I?”

After Cobain's death in April of 1994, MTV played the concert around the clock.  DGC announced that the 'Unplugged' show would be released as part of a retrospective double live album called 'Verse Chorus Verse'; however, Novoselic and Grohl were still too grieved to compile the release and decided to just release 'MTV Unplugged in New York'.  During its first week of release in November of 1994, the album debuted at number one with three hundred and ten thousand, five hundred copies sold.  It also charted at number twenty in Japan; six in Germany and Norway; three in Belgium and Switzerland; two in the Netherlands and Sweden; and number one in Australia, Austria, Canada, France, New Zealand, Spain, and the UK.  'MTV Unplugged in New York' also won a Grammy Award for Best Alternative Music Album.  







http://www.nirvana.com/










'MTV Unplugged in New York'
full show:


Nirvana - MTV Unplugged 1993 by fecalmaster


All songs written by Kurt Cobain, except where noted.

About a Girl — 01:09
Come As You Are — 04:17
Jesus Doesn't Want Me For A Sunbeam (The Vaselines) — 08:47
The Man Who Sold the World (David Bowie) — 13:23
Pennyroyal Tea — 17:47
Dumb — 22:35
Polly — 25:52
On a Plain — 29:32
Something in the Way — 33:07
Plateau (Meat Puppets) — 40:50
Oh, Me (Meat Puppets) — 44:20
Lake Of Fire (Meat Puppets) — 47:40
All Apologies — 51:31
Where Did You Sleep Last Night (Leadbelly) — 58:00






bare witness: 
https://www.youtube.com/watch?v=U9HE8rlJeNg





rehersals




Tuesday, June 3, 2014

bleach







Nirvana laid the groundwork for grunge with the harrowing heavy hopelessness and visceral venom of this sifting sonic sludge solicitude.  The group was started by Kurt Cobain and Krist Novoselic in Aberdeen, Washington in 1987.  They initially brought in drummer  Bob McFadden and then Aaron Burckhard; but, after the pair relocated, they started playing with Melvins drummer Dale Crover, who then recommended Dave Foster.  They struggled to replace Foster until they found Chad Channing through a mutual acquaintance.   They were signed to Seattle independent label Sub Pop and released their debut single 'Love Buzz' in November of 1988



'Bleach'was recorded in six days  at Reciprocal Recording Studios in Seattle with producer Jack Endino and featured Kurt Cobain ('Kurdt Kobain') on vocals and guitar, Krist Novoselic ('Chris Novoselic') on bass, and Chad Channing on drums.   Dale Crover played drums on the demo versions of  "Floyd the Barber", "Paper Cuts", and "Downer" that were used for the album.   The sessions were billed  for  $606.17, which was paid by Jason Everman, who would become second guitarist for the band and is credited on the album although he did not play on it.  

Cobain would reveal:    “Chris and me are from Aberdeen, which is a really dead logging town on the shores of the Pacific Ocean. The nearest town was Olympia, about fifty miles away, which is where we’ve moved to...I’m seeing America for, like, free and only having to work for two hours a day. It’s weird though, I’m not homesick yet. If we hadn’t done this band thing, we would have been doing what everyone else does back home, which is chopping down trees, drinking, having sex and drinking, talking about sex and drinking some more...The early songs were really angry; but as time goes on the songs are getting poppier and poppier as I get happier and happier. The songs are now about conflicts in relationships, emotional things with other human beings. When I write a song the lyrics are the least important subject. I can go through two or three different subjects in a song and the title can mean absolutely nothing at all...Sometimes I try to make things harder for myself, just to try to make myself a bit more angry. I try out a few subconscious things I suppose, like conflicts with other people. But most of the lyrics on the ‘Bleach’ album are about life in Aberdeen...We’d been revolving around in bands for years.  I’d been writing songs since I was about thirteen. I’d never heard of Sub Pop before, although I suppose we didn’t exist in a total backwater; we had The Melvins in our town and we used to go and listen to them rehearse all the time.” 



'Bleach' did not chart when it was initially released but managed to sell forty thousand copies.  After the massive success of its followup 'Nevermind', 'Bleach' was re-released and went to number eighty-nine in the US, thirty-four in Australia, thirty-three in the UK, and twenty-four in Finland.  'Bleach' was eventually certified platinum with almost two million copies sold in the US, making it the biggest album that Sub Pop ever put out.  










http://www.nirvana.com/










'Love Buzz' is a cover of the song by the Dutch band Shocking Blue.  






'About A Girl' was written for Cobain's girlfriend Tracy Marander, who took the cover photograph for 'Bleach'.  
https://www.youtube.com/watch?v=AhcttcXcRYY








'Bleach'
full album:










All tracks written by Kurt Cobain, except where noted.


1. "Blew" 2:55
2. "Floyd the Barber" 2:18
3. "About a Girl" 2:48
4. "School" 2:42
5. "Love Buzz" (Shocking Blue cover) Robbie van Leeuwen 3:35
6. "Paper Cuts" 4:06
7. "Negative Creep" 2:56
8. "Scoff" 4:10
9. "Swap Meet" 3:03
10. "Mr. Moustache" 3:24
11. "Sifting" 5:22

Bonus tracks on most later reissues
12. "Big Cheese" (Originally the B-side of "Love Buzz") Cobain, Krist Novoselic 3:42
13. "Downer" (Not included on some cassette copies) 1:43


20th Anniversary Bonus Tracks (Pine Street Theatre live performance recorded February 9, 1990 - Portland, Oregon)
14. "Intro" 0:53
15. "School" 2:36
16. "Floyd the Barber" 2:17
17. "Dive" Cobain, Novoselic 3:42
18. "Love Buzz" van Leeuwen 2:58
19. "Spank Thru" 2:59
20. "Molly's Lips" Eugene Kelly, Frances McKee 2:16
21. "Sappy" 3:19
22. "Scoff" 3:53
23. "About a Girl" 2:28
24. "Been a Son" 2:01
25. "Blew" 4:32



deluxe:











Saturday, September 21, 2013

in utero








Nirvana quickly recorded this dark, dense, dissonant declaration of despair on their own dime and had to fight with their label to release it.  The massive success of 'Nevermind' had left the band overwhelmed.  Cobain revealed:  "I needed time to collect my thoughts and readjust. It hit me so hard, and I was under the impression that I didn't really need to go on tour, because I was making a whole bunch of money. Millions of dollars. Eight million to 10 million records sold – that sounded like a lot of money to me. So I thought I would sit back and enjoy it. I don't want to use this as an excuse, and it's come up so many times, but my stomach ailment has been one of the biggest barriers that stopped us from touring. I was dealing with it for a long time. But after a person experiences chronic pain for five years, by the time that fifth year ends, you're literally insane. I couldn't cope with anything. I was as schizophrenic as a wet cat that's been beaten...For five years during the time I had my stomach problem, yeah. I wanted to kill myself every day. I came very close many times. I'm sorry to be so blunt about it. It was to the point where I was on tour, lying on the floor, vomiting air because I couldn't hold down water. And then I had to play a show in 20 minutes. I would sing and cough up blood.  This is no way to live a life. I love to play music, but something was not right. So I decided to medicate myself...When I was doing drugs, it was pretty bad. There was no communication. Krist and Dave, they didn't understand the drug problem. They'd never been around drugs. They thought of heroin in the same way that I thought of heroin before I started doing it. It was just really sad. We didn't speak very often. They were thinking the worst, like most people would, and I don't blame them for that. But nothing is ever as bad as it seems. Since I've been clean, it's gone back to pretty much normal."






The band wanted to work with indie producer Steve Albini because of his work with the Pixies and the Breeders and because they liked the idea of his method of recording with multiple microphones around a room to capture a more complete sound.  Grohl explains:   "Steve Albini was really famous for his signature sound. The sound that he got on his albums, it was no accident. There's a science to what he does. It was usually mostly recognized in the drums. So if you listen to the Breeders' first album 'Pod' or the Pixies' 'Surfer Rosa', or you listen to the Jesus Lizard album 'Liar', it sounds like a band in the room, but there's some sort of sonic element to it that nobody else could get. And Steve Albini was the only guy who could get that drum sound."

The band travelled to Albini's Pachyderm Studio in Cannon Falls, Minnesota and gave themselves two weeks in which to record.  The isolated location made it easier for the band to focus on recording.  Novoselic recalls:    "We had to prove ourselves to Steve. So, on the first day at the studio, we're all set up and ready to go and like, 'OK, Steve, we're rolling, right?' And he goes, 'We're rolling.' And so we play that song 'Serve the Servants'. And you know Dave counts us in and just goes, 'Bahhh!' And the song starts OK. And then we play this song and, of course, the ending falls apart, like every song on 'In Utero'. And so we finish the song, and Kurt and Dave and I look at each other and we're like, 'Yeah, that felt pretty good. How was it, Steve?' He's like, 'Sounds good.' And we're like, 'All right! We're going to do another song', like in one take. We won Steve over after that."

Cobain said:  "It was made really fast. All the basic tracks were done within a week. And I did 80 percent of the vocals in one day, in about seven hours. I just happened to be on a roll. It was a good day for me, and I just kept going...You hit and miss. It's a really weird thing about this record. I've never been more confused in my life, but at the same time I've never been more satisfied with what we've done."




The band's label was not pleased with the abrasive sound of the record and did not want to release it.  They worked with Scott Litt at  Bad Animals Studio in Seattle to augment  'Heart-Shaped Box' and 'All Apologies'.  They also sharpened the bass sound and increased the volume of the vocals on the rest of the album.  'In Utero' went to number sixteen in Switzerland; thirteen in Japan; eight in Austria; seven in Norway; five in Finland; four in the Netherlands; three in Canada and New Zealand; two in Australia; and number one in Sweden, the UK, and the US.  In the US, it made its debut at number one, despite the fact that some major chains refused to sell the album because of the artwork.  'In Utero' has sold over fifteen million copies worldwide.  







http://www.nirvana.com/





"All Apologies" hit forty-three in Belgium, thirty-two in New Zealand and the UK, twenty in France and Ireland, four on the US mainstream rock tracks chart, and number one on the US alternative chart. 


https://www.youtube.com/watch?v=m0drC8qVMRk








"Heart-Shaped Box" went to number thirty-seven in France, thirty-six in the Netherlands, thirty-one in Belgium, twenty-one in Australia, sixteen in Sweden, nine in New Zealand, six in Ireland, five in the UK, four on the US mainstream rock tracks chart, and number one on the US alternative chart. 
http://www.youtube.com/watch?v=n6P0SitRwy8




'Sappy' was a part of the sessions but became a hidden track on the 1993 AIDS-benefit compilation album 'No Alternative'.  It was also titled 'Verse Chorus Verse' (one of the working titles for 'In Utero') which is also the title of a song from the 'Nevermind' sessions that is often bootlegged as 'In His Hands'. 
http://www.youtube.com/watch?v=suM9k-sx0Gk



'I Hate Myself and Want to Die'  was recorded during the 'In Utero' sessions under the title '2 Bass Kid'.  It wasn't included on the album and was released on 'The Beavis and Butt-Head Experience' compilation instead.   It was also the B-side to the 'Pennyroyal Tea' single.  Cobain called the song:  "Nothing more than a joke. And that had a bit to do with why we decided to take it off. We knew people wouldn't get it; they'd take it too seriously. It was totally satirical, making fun of ourselves. I'm thought of as this pissy, complaining, freaked–out schizophrenic who wants to kill himself all the time. "He isn't satisfied with anything." And I thought it was a funny title. I wanted it to be the title of the album for a long time. But I knew the majority of the people wouldn't understand it."
https://www.youtube.com/watch?v=TP06kxW_M3I




http://www.phrases.org.uk/quotes/last-words/kurt-cobain.html









'In Utero' 

full album:

All songs written by Kurt Cobain unless otherwise noted.

"Serve the Servants" – 3:36
"Scentless Apprentice" (Cobain, Dave Grohl, Krist Novoselic) – 3:48
"Heart-Shaped Box" – 4:41
"Rape Me" – 2:50
"Frances Farmer Will Have Her Revenge on Seattle" – 4:09
"Dumb" – 2:32
"Very Ape" – 1:56
"Milk It" – 3:55
"Pennyroyal Tea" – 3:37
"Radio Friendly Unit Shifter" – 4:51
"tourette's" – 1:35
"All Apologies" – 3:51
"Gallons of Rubbing Alcohol Flow Through the Strip" (Cobain, Grohl, Novoselic) – 7:28


https://www.youtube.com/playlist?list=PLZGh95p3UpwxS2gfSC1LPa_J-c0McoLHU





Saturday, September 24, 2011

nevermind









Nirvana took a new drummer, a new producer, and a new label to the top of the charts and grunged up the mainstream with the sonic onslaught of this slick slacker punk rock. The band started working with Butch Vig upon the suggestion of Kim Gordon from Sonic Youth. Cobain lost his voice during the first sessions at Smart Studios in Madison, Wisconsin and, since SubPop was going to be bought out, ended up using the tracks to woo major labels. They signed with Geffen and insisted on working with Vig again. In the meantime, Dave Grohl joined the band when Chad Channing left over creative differences. They recorded the album during new sessions at Sound City Studios inVan Nuys, California. The sound is cleaner than anything the band ever did, with Vig and mixer Andy Wallace using all sorts of studio tricks to create an album that transcends the genre of grunge with its thunderous roar, its dynamic shifts from a whisper to a scream, and its intense emotional integrity.



'Nevermind' suprised everyone by becoming a huge international smash, selling over thirty million copies worldwide and hitting the top of the album charts in Canada, Sweden,and the US. It made alternative rock the sound of the next decade and paved the way for a generation of bands.






http://www.nirvana.com/








Allegedly, one of the members of Bikini Kill told Kurt that he smelled like the deodorant Teen Spirit, inspiring the title of the song. 'Smells Like Teen Spirit' was a shot heard 'round the world, hitting number one in Belgium, France, New Zealand, and the US Modern Rock Tracks chart and propelling the album to the top of the charts.

"With the lights out, it's less dangerous
Here we are now; entertain us
I feel stupid and contagious
Here we are now; entertain us
A mulatto, an albino, a mosquito, my libido
Yeah, hey"






'In Bloom' addresses aggressive scenesters who miss the point of the music.

"He's the one
Who likes all the pretty songs
And he likes to sing along
And he likes to shoot his gun
But he knows not what it means"






The contradictory 'Come As You Are' peaked at number three in New Zealand and on the US Modern Rock and Mainstream Rock charts.

"Come doused in mud, soaked in bleach, as I want you to be;
As a trend, as a friend as an old memori-a, memori -a,
And I swear that I don't have a gun."






'Lithium' describes the mood swings involved in Cobain's bi-polar disorder. It reached number three in Finland.

"I'm so happy because today
I've found my friends
They're in my head
I'm so ugly, but that's okay, cause so are you
We've broken our mirrors
Sunday morning is everyday for all I care
And I'm not scared
Light my candles in a daze
'Cause I've found God"






According to Cobain, 'On A Plain' is "classic alienation".

"The finest day
That I ever had
Was when I learned
To cry on command
Love myself
Better than you
I know it's wrong
So what should I do?"








'Nevermind'
full album