Showing posts with label barbra streisand. Show all posts
Showing posts with label barbra streisand. Show all posts

Tuesday, March 11, 2014

the way we were









Barbra Streisand lit the corners of our minds with this wistful romantic reminiscence.    'The Way We Were' starred Streisand and Robert Redford as Katie Morosky and Hubbell Gardiner, a couple that struggle through their differences in a doomed relationship as they deal with the black list in McCarthy era Hollywood.  Arthur Laurents wrote the screenplay based on his own experiences.   The film and its title song were a major success for Streisand.  Marvin Hamlisch wrote the music with lyricists Alan and Marilyn Bergman.  

Marilyn Bergman considered:   “Well, first of all it's a wonderful title. The main title of the movie had to function as a passage way back in time. We were underscoring the flashback, in a way...[Barbra] made two suggestions.  One was the change of a note in the first phrase of the tune. And the other was a change of a word, a very important suggestion. We had the lyric beginning with ‘daydreams light the corners of your mind,’ and she suggested that the first word of the song be ‘mem'ries.’"

Hamlisch remarked:  “You are tailor-making a song for an artist.  And if it's Barbra Streisand it has to fit her until she's comfortable.”

The film was a box office smash while the song 'The Way We Were' became a huge hit for Streisand, going to number thirty-one in the UK and number one on both the adult contemporary and pop charts in Canada and the US.  It was her first chart topper in the US, spending three non-consecutive weeks there, eventually being certified platinum.  The soundtrack for 'The Way We Were' sold in excess of one million copies and spent twenty-three weeks on the album chart.  The film earned Streisand an Oscar nomination for Best Actress and won Academy Awards for Best Original Dramatic Score and Best Original Song for "The Way We Were".  






http://www.barbrastreisand.com/








https://www.youtube.com/watch?v=GNEcQS4tXgQ
)


Mmm. Mmm.
Mem'ries, light the corners of my mind
Misty watercolor memories of the way we were.
Scattered pictures of the smiles we left behind
smiles we give to one another
for the way we were.
Can it be that it was all so simple then
or has time rewritten every line?
If we had the chance to do it all again
tell me would we? Could we?
Mem'ries, may be beautiful and yet
what's too painful to remember
we simply choose to forget
So it's the laughter we will remember
whenever we remember
the way we were.








Monday, February 25, 2013

the barbra streisand album










Barbra Streisand defied her critics and made her first album on her own terms. Even in high school, she was an iconoclast:    “I don't know why I always felt alone—a person apart from others, but I did. In high school, I used too much make-up, both on my lips and my eyes. Oh those crazy weird shades! I bleached my hair and wore very off-beat clothes. Why did I dress this way? Well, the kid who looked ridiculous with a ribbon in her hair as a kid didn't think she was the most gorgeous teenager either. But rather than sulk, I rebelled, I dressed the way I did to show everybody that I didn't care what they thought of me. I didn't know then that I really did.  I never thought of being unhappy or lonely. I hate self-pity—in myself, in anybody.”

After working for years in nightclubs, she had made television appearances on 'The Tonight Show' and 'PM East/PM West' before making her Broadway debut as Miss Marmelstein in the musical 'I Can Get It for You Wholesale'. This led to a recording contract with Columbia Records.  Streisand remembers:    "The most important thing about that first contract - actually, the thing we held out for - was a unique clause giving me the right to choose my own material. It was the only thing I really cared about. I still received lots of pressure from the label to include some pop hits on my first album, but I held out for the songs that really meant something to me ... When I first auditioned for Goddard Lieberson [Columbia's president], he said I wouldn't sell records, that I was much too special, that I would appeal only to a small clique who would dig me. But the first album went right on the charts...Everyone was surprised. But I always knew it would happen this way. People were ready for me...When I was looking for someone to arrange and conduct the album, I called Harold Arlen who recommended Peter Matz. This was the beginning of a long and creative relationship."


'The Barbra Streisand Album' was recorded over three days at Columbia Studio A in New York with producer Mike Berniker on a very small budget because the executives were not sure if she could sell a lot of records. The material was mostly Broadway standards that the label thought were too obscure. Streisand considers:    "A lot of people used to tell me, 'Kid, you better dress this way, and sing this kind of song.' But I think that when you ask an audience to love you, they turn away. So I dress the way I feel, and sing the way I feel, and I don't worry about the audience—not till afterwards, anyway. People say I'm fresh, because I don't take advice. But even if the advice is right, I have to find out it's right my own way ... I’ve never taken voice lessons and never will. I act out my songs more than I sing them. To tell you the truth, I don’t like singing. I think I’m awful. I don’t like other singers, either. What’s singing? Acting is the thing. I think it’s a waste of time to sit around and listen to music.”

'The Barbra Streisand Album' went to number eight on the US album chart and number six in Australia. It was certified gold and went on to win Grammy Awards for Album of the Year, Best Female Vocal Performance, and Best Album Cover - Other Than Classical in 1964, as well as a Grammy Hall of Fame award in 2006.







http://www.barbrastreisand.com/











1. "Cry Me A River" Arthur Hamilton 3:37








2. "My Honey's Lovin' Arms" Joseph Meyer, Harry Ruby 2:14
http://www.youtube.com/watch?v=QmPD6huJauE








3. "I'll Tell the Man in the Street" Lorenz Hart, Richard Rodgers 3:09
http://www.youtube.com/watch?v=uy5MzJiPPrE








4. "A Taste of Honey" Ric Marlow, Bobby Scott 2:51
http://www.youtube.com/watch?v=SZgdRHQBR90








5. "Who's Afraid of the Big Bad Wolf?" Frank Churchill, Ann Ronell 2:35








6. "Soon It's Gonna Rain" Tom Jones, Harvey Schmidt 3:44
http://www.youtube.com/watch?v=scg7rNsdeEs












7. "Happy Days Are Here Again" Milton Ager, Jack Yellen 3:04
http://www.youtube.com/watch?v=Hf53oFb4IKA






8. "Keepin' Out of Mischief Now" Andy Razaf, Thomas Waller 2:11
http://www.youtube.com/watch?v=XL68fcSIojU








9. "Much More" Tom Jones, Harvey Schmidt 3:02
http://www.youtube.com/watch?v=VjhF6v4jG0U








10. "Come to the Supermarket in Old Peking" Cole Porter 1:56
http://www.youtube.com/watch?v=y6PIuu9yU-E
http://www.youtube.com/watch?v=SPTr_MaPhy4








11. "A Sleepin' Bee" Harold Arlen, Truman Capote 4:21
http://www.youtube.com/watch?v=cKAUF-DQi90
http://www.dailymotion.com/video/x37ni5_barbra-streisand-a-sleepin-bee_music

Barbra Streisand - A Sleepin' Bee by enricogay









'The Barbra Streisand Album' 
full album:





Thursday, March 15, 2012

evergreen







The Love Theme from 'A Star Is Born' brought Barbra Streisand back to the top of the charts, gave her another Grammy, another Oscar, and her first Golden Globe. Streisand and Paul Williams wrote this song together for the third film adaptation of a story by William A. Wellman and Robert Carson. Williams remembers the writing process with Streisand: "She sat down and played on a guitar, the melody for 'Evergreen' that she'd written. It was just such a beautiful melody. I said, 'There's your love song. There's the big love song.' I asked her for the melody. She put it on tape for me, and I took it home. I actually wrote that as the last thing, which I think bothered her. But all the Kris Kristofferson stuff was the first thing up on the shoot schedule. So I wrote the songs for Kris first...You know, Barbra recorded two or three of my songs before we did 'A Star Is Born'. People would always ask, 'Were you nervous about writing the Streisand music?' Of course, she's an amazing talent. But to sit down and write songs and to play songs for Kris... I mean, this is the man who wrote 'Sunday Morning Coming Down,' 'Me And Bobby McGee.' It was wonderful. Kris was great about the songs. But the very last thing that I wrote was 'Evergreen.' I gave that to Barbra, and then hit the road and didn't look back...I actually wrote those first two lines in the opposite order. I wrote 'Love, fresh as the morning air, love soft as an easy chair.' I called Barbra as I was getting on a plane to go on tour with Olivia Newton-John. We were doing a six-week tour, and Barbra was in Arizona getting ready to start filming A Star Is Born. I called her and said, 'You know what, flip those two first lines, because it sings better.' 'Love, soft as an easy chair, love, fresh as the morning air.' 'Morning' sang better at that point in the song. And I remember saying to Barbra, 'They'll probably laugh us out of the theaters for starting a love song with a line about a chair, but I think it works better that way.' And I think it was the biggest-selling soundtrack album ever at that time, and of course the song won the triple crown: the Oscar, the Grammy, and the Golden Globe."













Love soft as an easy chair
Love fresh as the morning air
One love that is shared by two
I have found with you
Like a rose under the April snow
I was always certain love would grow
Love ageless and evergreen
Seldom seen by two
You and I will
make each night the first
Everyday a beginning
Spirits rise and their dance is unrehearsed
They warm and excite us
'Cause we have the brightest love
Two lights that shine as one Morning glory and midnight sun
Time... we've learned to sail above
Time... won't change the meaning of one love
Ageless and ever evergreen...








Sunday, April 24, 2011

someone to watch over me










George and Ira Gershwin wrote this classic song from the Great American Songbook. It was originally composed for the musical 'Oh Kay!' which was probably inspired by Kay Swift, composer, pianist, and George's very close friend. Howard Dietz is credited with helping to write the lyrics to two of the songs from the musical during Ira's hospital stay; but not for this song, although he claimed to have come up with the title. The song was originally conceived as an uptempo number; but after playing around with it one day, the duo recognized how moving it was as a ballad. It has been covered by generations of music fans. Hopefully, you will find you favorite below.






George Gershwin





Ella Fitzgerald






Blossom Dearie





Stephane Grappelli




Frank Sinatra






Barbra Streisand





Willie Nelson





Linda Ronstadt





Sting





There’s a saying old, says that love is blind
Still we’re often told, "seek and ye shall find"
So I’m going to seek a certain lad I’ve had in mind

Looking everywhere, haven’t found him yet
He’s the big affair I cannot forget
Only man I ever think of with regret

I’d like to add his initial to my monogram
Tell me, where is the shepherd for this lost lamb?

There’s a somebody I’m longin’ to see
I hope that he, turns out to be
Someone who’ll watch over me

I’m a little lamb who’s lost in the wood
I know I could, always be good
To one who’ll watch over me

Although he may not be the man some
Girls think of as handsome
To my heart he carries the key

Won’t you tell him please to put on some speed
Follow my lead, oh, how I need
Someone to watch over me

Won’t you tell him please to put on some speed
Follow my lead, oh, how I need
Someone to watch over me

Someone to watch over me