Showing posts with label wailers. Show all posts
Showing posts with label wailers. Show all posts

Saturday, April 13, 2013

catch a fire









The Wailers brought reggae to the world with the spiritual essence, political realism, and bottom heavy rhythmic bounce of their incendiary major label debut.  With three albums under their belt ('The Wailing Wailers''Soul Rebels'and 'Soul Revolution') the band was invited to open for Johnny Nash on his UK tour.  When the tour was over, the band was stranded in Britain without enough money to get back to Jamaica.  They contacted Chris Blackwell from Island Records and received an advance for the recording of an album and enough money to get home. 
The intial recording took place in three studios in Kingston, Jamaica:  Dynamic Sound, Harry J's, and Randy's with overdubs added later in London at Island Studios.  'Catch A Fire' was co-produced by Marley and Blackwell and features Peter Tosh on organ, guitar, piano, and vocals; Bob Marley on guitar and vocals; Bunny Wailer on bongos, conga, and vocals; Aston "Family Man" Barrett on bass guitar; Carlton "Carlie" Barrett on drums; John "Rabbit" Bundrick on keyboards, synthesizer, and clavinet; with Wayne Perkins on guitar; Rita Marley and Marcia Griffiths on backing vocals; Tommy McCook on flute; Robbie Shakespeare on bass guitar on 'Concrete Jungle'; Francisco Willie Pep, Winston Wright, and Chris Karan on percussion. 


'Catch A Fire' charted at one hundred and seventy-one on the US Billboard 200 and fifty-one on the US R&B album chart.  The album received rave reviews and is acknowledged as one of the greatest reggae albums of all time.  It was initially released with a zippo sleeve that opened like a lighter to reveal the album inside.  Later pressings feature Marley smoking a joint on the cover and are credited to "Bob Marley and the Wailers". 

Marley expressed in an interview at the time:    "The group is the Wailers. Well fi some reason them seh Bob Marley and the Wailers. I never tell anyone fi seh dat, from no time at all. But maybe fi some reason why dem do it. Well I man is a Wailers. An' ah just soh it rest. Right now I&I ah goh play some music and just gwaan play some music until then. Until wah fi happen will just happen. Because I&I don't plan life. Because when man plan, Jah wipeout...Well...Dem gi mi some money the other day. And want mi fi sign another agreement with them. Mi really ah check it out like (ha ha). 'Cause yuh know...chuh! Is like mi noh waan really seh nothing bad 'bout dem, and still mi noh have nothing much good fi seh...I've come to realize se dem really divide wi in classes. Yes, and is true. Dem try fi divide wi in classes weh mi don't agree with. Because is wickedness. Yuh caan divide people. How can yuh divide the people? Some ah dem noh have four foot...Jamaica is a little nice great place. Mi really love Jamaica, because mi walk plenty stone land inna Jamaica and plenty hills. But ah think we really need a direction. Not a big ol' signing up this and signing up that, but a direction in your own country. Wah happen to the earth. An mean wi have to till the soil. An' it noh call fi slavery fi do that. It just call fi understanding...I man a Farmer Iyah from creation...Many shall be called, but only a few chosen. And there shall be sheep and wolf in sheep clothing! But I&I couldn't watch that, this day. Because I&I have to live Rasta and know Rasta. I noh come fi judge a man. Jah seh leave all judgemant onto him. Soh all people who see a man out deh and seh "how him a gwaan like seh him a rasta". Who is dem fi seh how him a gwaan so. When God seh leave all judgemant onto him...Is laws cause crime and violence. Well I noh really... Yuh know what ah mean. Earth a come, earth a forward to how creation was an how earth fi rest. Is a mind ting. Now all the laws that we abide by and blaah-blaah-boom-boom-boom, what cause wi fi suffer. As any man can know that. Them law deh noh must be a must...Every law! The only law which is law is the law of life. The law how fi live. Now dig dis. A man build him city and him seh him want these people fi run it, and him want these people to live yah soh. Now me don't waan get involved talking like me is a politician. Mi jus' waan talk 'bout righteousness. Like seh well then, Jah a earth rightful ruler and him noh run no wire fence...Rasta don't believe in violence man! Rasta don't believe, Rasta know. Yuh see, is when yuh believe, is that mash yuh up. Yuh must know what yuh know. Earth is earth, within 2000 years, now is 1973. Like I seh again. I naah do dis ting fi no money business. Dis ting, is Jah come inna I heart and mek it move, that I fi goh inna England goh seh these things again. Or say these things in America, or Australia. I man haffi goh, because I personnally is a servant of H.I.M. Not doing noh hard work, just doing wah Jah seh I fi do. And thru him gi I the power fi play music and him gi I the Inspiration fi seh these things, and mek the people, who him work through see these things. Because I know seh Jah inna every life. Now some people ah devil and some people ah angel. Dig! Jah seh leave all judgemant onto him. Dig! Soh yuh know, is certain, is plenty tings, ah man haffi keep to himself and try source it out fi himself. Because yuh can seh tings. At the time yuh say it, it noh seh right, and maybe not. Yuh know wah ah mean. Because these things are things Jah teach yuh everyday, and sometime yuh haffi learn. Yuh haffi know wah him seh. Yuh haffi source it out...I am sorry for the people who don't understand what we talk about. Because they bare great tribulations in times when they don't have to. Yuh see, I personally know my heart can be hard as a stone, and yet soft as water. Then again... still sorry fi the people who don't know H.I.M. Because is like my mother used to tell mi. People head ah goh chop off and dem waan dead and caan dead. Inna the judgement. And these days yah ah the judgement days. Yuh know, only the fittest of the fittest shall survive. Like wah Marcus Garvey seh. Ah jus' so it goh...If yuh don't know God yuh goin' suffer and dead! No God Noh Partial, regardless weh yuh deh pon earth. If yuh deh ah Ethiopia inna him palace and yuh don't know him is the almighty, yuh suffer. God noh partial I. Now, I could ah starve and suffer too, but I know Jah." 








'Catch a Fire' 
full album:




Original album release (1973)[edit]
All songs were written by Bob Marley, except where noted.

Side one

1. "Concrete Jungle"   4:13
2. "Slave Driver"   2:54
3. "400 Years" (Peter Tosh) 2:45
4. "Stop That Train" (Tosh) 3:54
5. "Baby We've Got a Date (Rock It Baby)"   3:55

Side two

6. "Stir It Up"   5:32
7. "Kinky Reggae"   3:37
8. "No More Trouble"   3:58
9. "Midnight Ravers"   5:08





'Catch a Fire' classic albums on Vh1:










Sunday, March 24, 2013

kaya







Bob Marley recorded the easy skanking spirituality and potent personal reflections of this soulful celebration of his native land while in exile in London.  He had left Jamaica after an attempt on his life:    "The political leaders never told them to make peace. Is the spirit come and tell them to make peace. That spirit is the spirit of God...Let me tell you something once and for all. You see me, if my freedom depend on politics, then I wouldn't tell you I would not go into politics. But I do not deal with politics...It must come through religion. Is not the people make the war, is other send them to fight it. Why when Ethiopia was starving, America and Russia never sent food but now they give Ethiopia billions of dollars worth of sophisticated weapons. In Jamaica, when the youth go down into the ghetto and kill off each other, who feel it? The same people in the ghetto. Why didn't the politicians say they wanted peace?...Propaganda is a wicked thing. One day everybody must know the truth. I beat down politics. I am a Rasta man. I will chat with Michael Manley or Eddie Seaga. People must move free and talk to whom they want. When white people have political elections all they will throw is a salad. Down in Jamaica, we fire gun, I can talk for gun fire off of me and is only Rastafari save me. So I have proof...When they came for me, they came for blood. I am in a corner and right away the gunshots came blazing through the door. In the meantime another assassin coming around the other side. The gunshots that were meant for me caught Don Taylor. Is four gun shot penetrate Don Taylor and all of those were made for me. Is a whole heap of gunshot was a fire that night...When Don Taylor hear the gunshot he was startled. They fire in the corner where I was and when I do so and move, I hear gunshot like dirt against the wall and when I move again I hear more gunshot pass me...You better believe it. They came to kill me...To me Jamaica is a school. Seen. Everything that is happening in Jamaica is happening everywhere else. Look at Ethiopia. The Russians have given the Ethiopians and Somalians guns to fight each other. In Jamaica is the same runnings (situation). Just that, one big whig give the people guns to fight each other...Well, is the people in Jamaica really make me what I am. Is them say, 'go Bob'. All when I shame how I sing, the people applaud. Them (Jamaican) people down there is the greatest people in the world. Is them build I and I."

'Kaya' was recorded at Island Studios in London with practically the same lineup as on 'Exodus':    Bob Marley on lead vocals, rhythm guitar, acoustic guitar, and percussion; Aston "Family Man" Barrett on bass and percussion; Carlton Barrett on drums and percussion; Junior Marvin on lead guitar; Tyrone "Organ D" Downie on keyboards and percussion; Alvin "Seeco" Patterson on percussion; and Rita Marley, Marcia Griffiths, and Judy Mowatt on backing vocals.  The sessions also included Vincent Gordon on saxophone; Glen Da Costa on trombone.  Some of the songs were rerecorded versions of songs that appeared on the 'African Herbsman' compilation five years previously. 








Marley described his disagreements with management over touring after a football injury:    "Here what happen now. What happen to them is that they do not want to run this thing like how I want to run it. Them want to run me on a star trip but I am not on any star trip. I want that any time I tour Europe and I look at myself and realize that my structure (health) run down, I must rest. But they are not concerned with my structure. They run and plan a North American tour. You must remember when I was in Europe, you don't even drink water. You have to purposely drink water and when you finish that tour, they set up another tour. I watch Muhammad Ali and Alan Cole and I see how these athletes take care of their structure. But the people who set up the tour do not work. They just collect money and when night come, you find them in bed with two girls while you 'bus' your r…e.. and a work hard all the time. When my toe was injured, they didn't even know. My toe nail had just come out and when the boy them still set up a North American tour...I tell them don't set up no tour until I tell you. But them don't want to live by that. What them say is 'Bob, it is always good to tour six weeks after your record has been released'. That is fine but suppose my structure don't run in that type of rhythm. I am not going to let them come f... me up. Is the same reason why I f... up my toe. If I was in Jamaica and my toe was hurt, I wouldn't work...I used to buck, buck the toe from long time. And in Paris I was playing soccer and a man gave a r... tackle in the rain. The foot started paining me and I wonder now why it kept burning for so long. You know when you playing soccer and you get hurt, it pain a little and then stop but this pain kept burning. Boy, I just scored a goal and just hop off the field. When I took off my shoes, the toenail was completely out. But I continued to perform anyhow. And hear this, hear what they had planned to do – they had planned to cut off my toe just so I could make the North American tour. I say the b... c... boy them plan to cut off my toe to do the tour. You understand what I say. I am in London and I consult a doctor. The record company phone the doctor and ask him how long will the toe take to heal. The doctor told them six months. Then they queried the doctor and asked the doctor how long it would take if the toe was cut off? The doctor told them that should take about a month. So them would cut off my toe just so I could work. Exodus was a bubble and if I make the tour Exodus would sell over a million. His Majesty said to me in London, 'Is what sin you do to agree to cut off your toe?' I just say to them f... off and go away. So I just decide and take a rest. And when you make a check, man collect money from all about and I don't know. Is in a Jamaica I am and a Jamaican tell me 'Bob, I know this business and you and I can do a little thing'. And I say, well let's go. And him is the same one who turn round and going on with some little things."

'Kaya' was released just before Marley agreed to return to Jamaica for the 'One Love Peace Concert'.   'Kaya' went to number fifty in the US, sixteen in New Zealand, fourteen in Norway, six in Sweden, and four in the UK.  The album was criticized for its less political lyrical content.  Marley responded to assertions that his music had been diluted:    "You have to play it and get your own inspiration. For every song have a different meaning to a man. Sometimes I sing a song and when people explain it to me I am astonished by their interpretation...How long must I protest for the same thing? I sing, 'Get up,Stand Up" and up to now the people still don't get up. So must I still sing 'Get Up, Stand Up'? When I say, 'Get up, Stand up' I mean we must get up and stand up. I am not going to sing the same song again. The thing is I do not want to be a prisoner. I don't want to hustle off suffering. I don't want to see people suffer and sing as if I am glad to see people suffer and to make money off of that. I want people to live big and have enough. I am not glad to see people suffer to sing about it all the time. It means if nobody is suffering, you can't sing a good tune...You see you have to try to please you own people and you have to try to please people here (Americans) and you have to compete with the music here...They can't judge me."







http://www.bobmarley.com/











I wanna love you and treat you right; 
I wanna love you every day and every night: 
We'll be together 
with a roof right over our heads; 
We'll share the shelter of my single bed; 
We'll share the same room, yeah! - 
for Jah provide the bread. 
Is this love - is this love - is this love - 
Is this love that I'm feelin'? 
Is this love - is this love - is this love - 
Is this love that I'm feelin'? 
I wanna know - wanna know - wanna know now! 
I got to know - got to know - got to know now! 
I-I-I-I-I-I-I-I-I - I'm willing and able, 
So I throw my cards on your table! 
I wanna love you - 
I wanna love and treat - 
love and treat you right; 
I wanna love you every day and every night: 
We'll be together, yeah! - 
with a roof right over our heads; 
We'll share the shelter, yeah, oh now! - 
of my single bed; 
We'll share the same room, yeah! - 
for Jah provide the bread. 
Is this love - is this love - is this love - 
Is this love that I'm feelin'? 
Is this love - is this love - is this love - 
Is this love that I'm feelin'? 
Wo-o-o-oah! Oh yes, I know; 
yes, I know - yes, I know now! 
Yes, I know; yes, I know - yes, I know now! 
I-I-I-I-I-I-I-I-I - I'm willing and able, 
So I throw my cards on your table! 
See: I wanna love ya, I wanna love and treat ya - 
love and treat ya right. 
I wanna love you every day and every night: 
We'll be together, with a roof right over our heads! 
We'll share the shelter of my single bed; 
We'll share the same room, yeah! 
Jah provide the bread. 
We'll share the shelter of my single bed



'Kaya' is a Rastifari term that can refer to enlightenment, peace, or marijuana.  
http://www.youtube.com/watch?v=H0dv_D-EwEo


Wake up and turn I loose

Wake up and turn I loose
Wake up and turn I loose
For the rain is falling
Got to have kaya now
Got to have kaya now
Got to have kaya now
For the rain is falling
I'm so high, I even touch the sky
Above the falling rain
I feel so good in my neighbourhood, so
Here I come again
Got to have kaya now
Got to have kaya now
Got to have kaya now
For the rain is falling
Feelin' irie I
Feelin' irie I
Feelin' irie I
'Cause I have some kaya now
I feel so high, I even touch the sky
Above the falling rain
I feel so good in my neighbourhood, so
Here I come again
Got to have kaya now
Got to have kaya now
Got to have kaya now, Lord
For the rain is falling
(Kaya now, kaya, kaya) Huh










'Kaya'
full album:



00:00 Easy Skanking
03:09 Kaya
06:25 Is This Love
10:17 Sun Is Shining
15:16 Satisfy My Soul
19:39 She's Gone
22:05 Misty Morning
25:39 Crisis
29:34 Running Away
33:49 Time Will Tell
37:23 Smile Jamaica (Alt. Version)











Sunday, June 3, 2012

exodus











Bob Marley survived an assassination attempt and left the political upheaval of his native Jamaica to record the definitive Biblical reflections of this reggae landmark.  Work began on 'Exodus' in Kingston, Jamaica amidst a state of national emergency.  Marley refused to take sides in the violent political landscape, seeking to create some kind of unity:  “God never made no difference between black, white, blue, pink or green. People is people, yuh know. That is the message we try to spread.”  He organized a free concert called ’Smile Jamaica’ to bring people together; but it was seen as supporting the prime minister and his political party.  Two days before the show, armed gunmen attacked his home, seriously wounding his wife and his manager.  Even though the rest of the Wailers were in hiding, Marley shocked everyone when he showed up for the concert and played a ninety minute set despite his own injuries.  He said:  "The people who are trying to make this world worse aren’t taking a day off. How can I?" 


Marley left Jamaica and spent a month at Compass Point studios in the Bahamas before heading to England, where he saw another kind of cultural upheaval.  The unrest that fueled the punk movement also informs the music on 'Exodus'.  The album was completed at Island Studios in London.  "We are not part of the political thing in Jamaica.  Whatever I say in London, for English people to read, when people read it in Jamaica...people might think I want to come back and take over the place.  I don't want to be a leader...We are Rasta.  Our struggle is for Africa."


The sessions included Marley on guitar and percussion; Aston Barrett on bass, guitar, and percussion; Carlton Barrett on drums and percussion; Tyrone Downie on keyboards, percussion, and backing vocals; Alvin Patterson on percussion; Junior Marvin on lead guitar; and the I Threes (Rita Marley, Marcia Griffiths, and Judy Mowatt) on backing vocals. The lyrics are serious and scathing, but also optimistic and ebullient; while the mellow grooves helped to make Marley an international star. 'Exodus' went to twenty-one in Austria, twenty in the US, fourteen in Norway, twelve in New Zealand, and eight in the UK. It was certified gold in the US and eight times platinum in Canada.






http://www.bobmarley.com/










'Natural Mystic'

"This could be the first trumpet
Might as well be the last
Many more will have to suffer
Many more will have to die
Don't ask me why
There's a natural mystic
Blowing through the air
I won't tell no lie
If you listen carefully now, you will hear"




'Exodus' (movement of Jah people)

"Open your eyes and look within
Are you satisfied with the life you're living?
We know where we're going; we know where we're from
We're leaving Babylon, we're going to the fatherland"




'Jamming'

"No bullet can stop us now, we neither beg nor will we bow
Neither can be bought or sold.
We all defend the right, JAH JAH children must unite
Your life is worth much more than gold."




'Waiting in Vain' was written about Marley's mistress Cindy Breakspeare.  

"It's been three years since I'm knocking on your door
And I still can knock some more
Ooh, girl, ooh, girl
Is it feasible, I wanna know now
For I to knock some more?
Ya see, in life I know there's lots of grief
But your love is my relief
Tears in my eyes burn
Tears in my eyes burn while I'm waiting
While I'm waiting for my turn."





'Three Little Birds'

"Rise up this morning
smiled with the rising sun
three little birds
pitch by my door step
singing sweet songs
of melodies pure and true
saying, this is my message to you:
Don't worry about a thing
cause every little thing is gonna be alright
don't worry about a thing
every little thing is gonna be alright"




'One Love/People Get Ready'

"One love, one heart
Let's get together and feel all right
Hear the children crying (One love)
Hear the children crying (One heart)
Sayin', 'Give thanks and praise to the Lord 
And I will feel all right.'"




'Punky Reggae Party' celebrates the punk music that he heard in London and namedrops The Dammed, The Jam, The Clash, Maytals, and Dr. Feelgood.  The song was a response to the Clash's cover of Junior Murvin's 'Police and Thieves'.  It was released as the b-side of 'Jamming' and later added to the cd reissue of 'Exodus'.

"It's a punky reggae party,
And it's alright,
What did you say?
Rejected by society
Treated with impunity
Protected by their dignity
I face reality
New wave, new craze"









'Exodus'
full album:



All tracks written by Bob Marley, unless noted.


Side one
1. "Natural Mystic"   3:28
2. "So Much Things to Say"   3:08
3. "Guiltiness"   3:19
4. "The Heathen"   2:32
5. "Exodus"   7:40
Side two
6. "Jamming"   3:31
7. "Waiting in Vain"   4:16
8. "Turn Your Lights Down Low"   3:39
9. "Three Little Birds"   3:00
10. "One Love/People Get Ready" (Bob Marley / Curtis Mayfield) 2:52











'Exodus' 
documentary: