Showing posts with label piano rock. Show all posts
Showing posts with label piano rock. Show all posts

Sunday, November 9, 2014

when the pawn...









Fiona Apple challenged expectations and came into her own with the heartbreak and humor of this powerful personal perseverance.  Although her debut album 'Tidal' had sold more than three million copies and earned her the Best New Artist award at the MTV Music Awards, she was unsatisfied with the music industry.  

Apple would reveal:   "When I got off the road, I took, like, six or eight months where I didn't do anything, and I didn't, like, really play piano or anything like that, and I just didn't think about it at all, 'cause I wasn't really sure what I wanted to do. I wasn't sure I wanted to come back. I wasn't sure, I wasn't sure, and I took some time, and I didn't really think about anything like re-entering it, and then, after a few months, you just kind of forget what it was like. So I just kind of naturally started writing songs again, and then once I wrote songs the decision is made, 'cause if you write songs and you're proud of them, then you kind of have to do something with them... I just feel like [there are] certain times in life where you just feel that you have an argument and you just want to make a point, but there's really no point in making that point to someone. You just kind of need to make it for yourself, to figure out exactly how you feel about something. I'd just be alone in my house and be like, "Ahh, piano," and it just started to be the way that I would deal with things. It was the way I deal with things three or four years ago, when I was writing songs for the other album, and then it kind of stopped being the way that I would deal with things. I would kind of deal with things then by just saying things to people a lot, 'cause I wasn't around the piano a lot, except for doing the shows. But after some time away from the piano, it started to become attractive to me again.  I started without thinking, "I'm going to start trying to write now for a record." I just started because it was at that moment, "I want to write something down." I think people run into that problem because they pay way too much attention to it early on. I think they start going, "Okay, well, this is going really good. How am I going to top this? What is my public image? How am I going to top that?" I didn't need to worry about topping my public image, and I'm really proud of the songs that I write [and] that I've written for this [album], and I was proud of them when I was writing them, and I knew they were good when I was writing them, so there was no worry about that. If I hadn't been sure that they were great, I just wouldn't have made the album."  





'When The Pawn...' was recorded at Andora Studio; Chateau Brion Studio; Nrg; Ocean Way Studio; One On One South; Preasence Studio Westport; and Woodwinds with producer Jon Brion.  The sessions featured  Fiona Apple on piano and vocals;   John Bainbridge on orchestration;   Robert Becker and Denyse Buffman, Scott Haupert, Maria Newman  on viola; Charlie Bisharat, Eve Butler,Susan Chatman,  Armen Garabedian, Berj Garabedianon, Peter Kent, Brian Leonard, Robert Peterson, Michele Richards, Edmund Stein, John Wittenberg on violin;   Mike Breaux on woodwind;  Jonathan "Butch" Norton and Matt Chamberlain on percussion and drums;  Greg Cohen and Mike Elizondo on bass guitar;  Larry Corbett and Suzie Katayama on cello;  Wendell Kelly on horn;  Jim Keltner on drums;  and Patrick Warren on Chamberlin and Wurlitzer. mixing was done by Brion and engineer Rich Costey.

Apple asserts:  "Because of changes in me personally, and also because of working with Jon, every element has been taken to the highest degree. It is more confident and less self-conscious. Jon has his genius and his visions, and will go and go and never stop and play everything that comes into his mind. He can do so much. It's easy to discuss, and take apart the song and its structure. But it's not only that he wants to make a good record - he wants to make a record that the songwriter intended. He knows that I will be going out to play this ... I'm just more confident as a singer. When I made the album the first time, I hadn't ever sung before, and then I went on the road, and that was when I kind of actually started learning how to sing, and so then making this album, I wasn't as shy with it. When I did the [first] album I'd never been on a stage, so I was kinda like in [the studio] with the [headphones] feeling really insecure. And then this time, you know, I didn't care."

The full title of the album was a ninety word poem that got her into the Guinness Book of World Records for longest album title:  'When the Pawn Hits the Conflicts He Thinks Like a King/What He Knows Throws the Blows When He Goes to the Fight/And He'll Win the Whole Thing 'fore He Enters the Ring/There's No Body to Batter When Your Mind Is Your Might/So When You Go Solo, You Hold Your Own Hand/And Remember That Depth Is the Greatest of Heights/And if You Know Where You Stand, Then You Know Where to Land/And if You Fall It Won't Matter, Cuz You'll Know That You're Right.'

She says it was written to help her process a negative story about her in Spin magazine:   "I was crying, like, 'This can't be happening. People are personally attacking me way too much, and I need to remember that I do everything for the right reasons.' I question my motives, I make myself proud, I am a good person, I've never done anything to hurt anyone, and this is not me that they're putting down. This is something that they've created.   I needed to write something, the same way that I write songs, when I feel like I need to clarify something to make myself feel better. I didn't have a piano because I was on a bus, so I wrote a poem. And then I figured, I'm going to get into a lot of this stuff again where I'm probably going to get attacked a lot. To remind myself, I'll just make it the title."



'When The Pawn...' went to number sixy-six in Germany, fifty-four in Australia, forty-six in the UK, thirty-nine in Japan, thirty-two in France, thirteen in the US, and six in Canada.  Apple considers:   "My goal was to really enjoy myself this time. Last time I would make myself work as hard as I could, just to prove that I could work hard. I did it so much that I got a certain pride out of it, but I also wasn't having fun at times, and just became addicted to doing everything that everybody wanted me to do. I want to do this for the rest of my life, but I have to be able to enjoy it, and that's the only goal I have. I just want to make that the f--king first priority this time. I want to be more of myself, which is about having fun rather than this self-inflicted workhorse thing ...  For me, the best times are always going to be the most intense, the ones with the highest highs and the lowest lows. I was so pissed off that I was misunderstood for a while that it discouraged me. Because I don't feel that way anymore, I can use those experiences and think they're wonderful. If I had the worst of times and I had the best times, that means I really kicked ass because I got past those worst times."









http://www.fiona-apple.com/







"Fast As You Can"
https://www.youtube.com/watch?v=NbxqtbqyoRk




"Limp"
https://www.youtube.com/watch?v=CfTNpbraBbI




"Paper Bag"
https://www.youtube.com/watch?v=BK30r_SIZ-g





"Across the Universe"
https://www.youtube.com/watch?v=UXE1C--WezU








'When The Pawn...'
full album:


https://www.youtube.com/playlist?list=PL49D27E65DBFF5C6E


http://www.dailymotion.com/video/xtazzh_fiona-apple-when-the-pawn-hits-the-conflicts-he-thinks-like-a-king-1999-full-album_music



Fiona Apple - When the Pawn Hits the Conflicts... by kritikospa



All songs written by Fiona Apple

"On the Bound" – 5:23
"To Your Love" – 3:40
"Limp" – 3:31
"Love Ridden" – 3:22
"Paper Bag" – 3:40
"A Mistake" – 4:58
"Fast as You Can" – 4:40
"The Way Things Are" – 4:18
"Get Gone" – 4:10
"I Know" – 4:57

bonus tracks
"Across the Universe" (Lennon–McCartney)
"Never is a Promise" [live]






Saturday, December 17, 2011

hunky dory










The Actor found a new record label and finally hit his stride with the cinematic sweep of this kaleidoscopic pop masterpiece. David Bowie hadn’t been able to follow up the success of ‘Space Oddity’ and was embroiled in a legal battle with his former manager Ken Pitt. Abandoning the heavy rock sound of ‘The Man Who Sold the World’ along with producer and bassist Tony Visconti, he promoted engineer Ken Scott to co-produce his new album. He did not have a recording contract when the sessions began at Trident Studios in London; but the tapes impressed executives at RCA Records and they signed him to a three album deal. The sound of ‘Hunky Dory’ prominently features the pianowork of session man Rick Wakeman. Guitar ace Mick Ronson also contributed mellotron and string arrangements. The rhythm section retained Mick Woodmansey on drums and added Trevor Bolder on bass and trumpet.


Bowie says 'Changes' "started out as a parody of a nightclub song, a kind of throwaway". It was his first single for RCA and his first to chart in the US, peaking at number forty-one. It's theme of reinvention and exploration made it an anthem for the changlings.

"I watch the ripples change their size
But never leave the stream
Of warm impermanence
So the days float through my eyes
But stil the days seem the same
And these children that you spit on
As they try to change their worlds
Are immune to your consultations
They're quite aware of what they're going through"




"Oh! You Pretty Things" was inspired by the writings of Aleister Crowley and Friedrich Nietzsche.

"What are we coming to
No room for me, no fun for you
I think about a world to come
Where the books were found by the golden ones
Written in pain, written in awe
By a puzzled man who questioned
What we were here for
All the strangers came today
And it looks as though they're here to stay
Oh you pretty things (oh you pretty things)
Don't you know you're driving your
Mamas and papas insane
Oh you pretty things (oh you pretty things)
Don't you know you're driving your
Mamas and papas insane
Let me make it plain
You gotta make way for the homo superior"

 


"Life on Mars?" was released as a single in 1973 and went to number three in the UK. Bowie wrote it as his own version of 'My Way'; Paul Anka's rewrite of Claude François’ “Comme d’Habitude”, which Bowie had rewritten himself as “Even a Fool Learns to Love” . The song pokes fun at some of Frank Sinatra's film roles.

"Sailors fighting in the dance hall
Oh man! Look at those cavemen go
It's the freakiest show
Take a look at the lawman
Beating up the wrong guy
Oh man! Wonder if he'll ever know
He's in the best selling show
Is there life on Mars?"




Bowie wrote "Kooks" after the birth of his son Duncan Zowie Haywood Jones, inspired by Neil Young.
 
"Will you stay in our Lovers' Story
If you stay you won't be sorry
'Cause we believe in you
Soon you'll grow so take a chance
With a couple of Kooks
Hung up on romancing"




 

"Fill Your Heart" was written by Biff Rose and Paul Williams.

Fill your heart with love today
Don't play the game of time
Things that happened in the past
Only happened in your Mind
Only in your Mind, ah forget your Mind
And you'll be free-yeah
The writing's n the wall
Free-yeah And you can know it all
If you choose. Just remember
Lovers never lose
'Cause they are Free of thoughts unpure
And of thoughts unkind
Gentleness clears the soul
Love cleans the mind
And makes it Free





"Andy Warhol"

"Like to take a cement fix
Be a standing cinema
Dress my friends up just for show
See them as they really are
Put a peephole in my brain
Two New Pence to have a go
I'd like to be a gallery
Put you all inside my show"

 

"Queen Bitch" draws heavily from the music of Lou Reed and the Velvet Underground.

"She's an old-time ambassador
Of sweet talking night walking games
Oh and she's known in the darkest clubs for pushing ahead of the dames
And if she says she can do it then she can do it
She don't make false claims
Oh she's a queen and such are queens
That your laughter is sucked in their brains
Now she's leading him on, and she'll lay him right down
Yes she's leading him on, and she'll lay him right down
But it could've been me, yes it could've been me
Why didn't I say, why didn't I say?"

 














'Hunky Dory'

full album:



All tracks written by David Bowie, except where noted.

Side one
1. "Changes"   3:37
2. "Oh! You Pretty Things"   3:12
3. "Eight Line Poem"   2:55
4. "Life on Mars?"   3:53
5. "Kooks"   2:53
6. "Quicksand"   5:08
Side two
7. "Fill Your Heart" (Biff Rose, Paul Williams) 3:07
8. "Andy Warhol"   3:56
9. "Song for Bob Dylan"   4:12
10. "Queen Bitch"   3:18
11. "The Bewlay Brothers"   5:22