Showing posts with label bryan adams. Show all posts
Showing posts with label bryan adams. Show all posts
Saturday, May 9, 2015
cold roses
Ryan Adams and The Cardinals found an easy plateau with the sweet illusions of this beautifully buoyant bucolic boredom of this bounteous beholden blossom. After the release of 'Love Is Hell', Adams formed a new band and began touring to support the album. It was this lineup that went into Loho Studios in New York City to record 'Cold Roses' with producer Tom Schick. The sessions for the double album featured Ryan Adams on vocals, acoustic and electric guitar, harmonica, piano, bass guitar on "Blossom", all instruments on "Life Is Beautiful"; J.P. Bowersock on electric guitar; Cindy Cashdollar on steel guitar, lap steel, resonator guitar, and vocals; Brad Pemberton on drums and vocals; Catherine Popper on bass guitar, vocals, and piano; and Rachael Yamagata on vocals and piano on "Let It Ride", "Cold Roses" and "Friends".
Adams looks back: "I’ve made records like Cold Roses and Love Is Hell, that really were my sound. Those records really are me. That’s who I am. The diversion is fun sometimes. It’s fun to dress up and go to a costume party on Halloween, isn’t it? A lot of musicians, I think, feel like they’re taking a song to a costume party with certain producers. It’s a way to get out of your element and try on a new face. I’ve done that a few times in my career with, weirdly, Heartbreaker being the most like that because it really was a folky, Dylan-y style. That’s not me. I am those songs and that’s me, but they’re dressed up in a certain way. Records like Cold Roses, people call it jammy like the Dead. No, it’s not. Go listen to that record. It’s totally analog, and it’s never jazz jamming. Listen to Grateful Dead records. They’re sonically in another dimension of musicality. Cold Roses is like a punk record. It’s a punk record that’s dabbling in certain colors...I’m just saying, there’s a way that those songs can come across, by the way the studio is prepared, the musicians who are chosen, the leader of the session. The producer sets the stage for everything that’s going to happen. Records like Cold Roses were made in the middle of the night, sometimes for several nights in a row, in a duration of wildness and no-holds-barred."
'Cold Roses' reached number forty-eight in the Netherlands, thirty-nine in Germany, thirty-one in Australia and Denmark, thirty in New Zealand, twenty-seven in Belgium, twenty-six in the US, twenty in the UK, sixteen in Ireland, nine in Norway, and number eight in Sweden.
http://paxamrecords.com/
"Let It Ride"
https://www.youtube.com/watch?v=tLGrmxz_E50
"Sweet Illusions"
https://www.youtube.com/watch?v=9RoDwZV6m2U
"When Will You Come Back Home"
https://www.youtube.com/watch?v=kPKuYl-0abc
"Easy Plateau"
https://www.youtube.com/watch?v=BvLkKrpzQrU
"Rosebud"
https://www.youtube.com/watch?v=LwlW3XSgtzM
"Cold Roses"
https://www.youtube.com/watch?v=6jM550olZDM
https://www.youtube.com/watch?v=2yAIOSOUhB8
"If I Am a Stranger"
https://www.youtube.com/watch?v=ZeDZCixQpvo
'Cold Roses'
full album:
https://myspace.com/ryan.adams.the.cardinals/music/album/cold-roses-bonus-tracks-20188656
Cold Roses from Ryan Adams & The Cardinals on Myspace.
https://www.youtube.com/playlist?list=PLKiOb6foQ-M9-d9EXzlUjLMobAfK1FSQ-
All songs written and composed by Adams, Bowersock, Cashdollar, Pemberton and Popper.
disc one
1. "Magnolia Mountain" 5:53
2. "Sweet Illusions" 5:02
3. "Meadowlake Street" 4:29
4. "When Will You Come Back Home" 4:52
5. "Beautiful Sorta" 3:01
6. "Now That You're Gone" 3:52
7. "Cherry Lane" 4:32
8. "Mockingbird" 4:47
9. "How Do You Keep Love Alive" 3:12
disc two
1. "Easy Plateau" 5:12
2. "Let It Ride" 3:24
3. "Rosebud" 2:56
4. "Cold Roses" 4:36
5. "If I Am a Stranger" 4:39
6. "Dance All Night" 3:15
7. "Blossom" 3:15
8. "Life Is Beautiful" 4:29
9. "Friends" 4:45
bonus tracks
1. "Tonight" (Vinyl and UK release only, also released as an iTunes exclusive album-only track) 3:29
2. "So Hot, So Cold" (Japan and UK Bonus Track) 3:20
3. "Operator, Operator" (Japan Bonus Track) 1:46
Sunday, January 20, 2013
cuts like a knife
Bryan Adams sliced his way to success and had his big breakthrough with this barbed blend of brashness and balladry. 'Cuts Like a Knife' was co-produced Bryan Adams and Bob Clearmountain at Little Mountain Sound in Vancouver, Canada with Bryan Adams on vocals, guitars, and piano; Jim Vallance on percussion and electric piano; Mickey Curry on drums; Tommy Mandel on organ and synthesizer; Keith Scott on guitars and vocals; and Dave Taylor on bass guitar; with Alfa Anderson and Foreigner's Lou Gramm on background vocals. Adams recalls: "When we went in the studio I'd written songs around the idea of playing them live so what you have on 'Cuts Like a Knife' is a record of songs which are very accessible live; and we went out and did them, wrapped that record and toured again around songs that were fun to play live. It was fun!"
'Cuts Like a Knife' chopped its way up to fifty-two in Australia, twenty-four in Germany, twenty-two in Sweden, twenty-one in the UK, and eight in Canada and the US. Adams reflects on the relative success of his ballads over the rockers: "There was never a shift in direction. If you listen to my albums, they all rock and there are the occasional slow numbers. My first hit was 'Straight From the Heart' and my first number one was 'Heaven'. I've always done them. The difference between the 80's and the 90's was radio just played my slower numbers instead of the rockers, so I had a cascade of slow songs that were hits instead. No worries, happy to have gotten played at all... I have a friend who says he'd like to be me...except for the first twenty years. In other words, there was a lot of work before I got anywhere. We toured incessantly, doing three shows a day sometimes. Noon concerts, supporting another band, and then doing our own club show; that sort of schedule. The early MTV days were ok, but remember no one had MTV when they started up!"
https://www.bryanadams.com/
"Cuts Like a Knife" came about during a jam session between the songwriting partners where Adams randomly came up with the title line and Vallance added the "but it feels so right". The single went to fifty-five in Australia, fifteen in the US, and twelve in Canada. He performed the song at Live Aid:
Drivin' home this evening
I coulda sworn we had it all worked out
You had this boy believin'
Way beyond the shadow of a doubt
The I heard it on the street
I heard you mighta found somebody new
Well who is he baby - who is he
And tell me what he means to you
I took it all for granted
But how was I to know
That you'd be letting go
Now it cuts like a knife
But it feels so right
It cuts like a knife
But it feels so right
There's times I've 'bin mistaken
There's tines I thought I'd 'bin misunderstood
So wait a minute darlin'
Can't you see we did the best we could
This would be the first time
Things have gone astray
Now you've thrown it all away
Now it cuts like a knife
But it feels so right
It cuts like a knife
But it feels so right
"Straight from the Heart" went to ninety-eight in Australia, fifty-one in the UK, twenty in Canada, and number ten in the US. Adams recalls: "I wrote it when I was 18 and it was one of the first complete songs I'd ever written. I'd been living in Vancouver and teaching myself piano and this came out. Sometime after I had written the song, my friend Bruce Fairbairn was producing an album for an artist called Ian Lloyd, and wanted the song for him. The song went on to be recorded by many people including Bonnie Tyler, and I didn't actually record 'Straight From The Heart' until 1983 for my 'Cuts Like A Knife' album. It was my first top 10 record."
"This Time" went to forty-one in the UK, thirty-two in Canada, twenty-eight in Ireland, and twenty-four in the US.
'Cuts Like a Knife'
full album:
http://www.last.fm/music/Bryan+Adams/Cuts+Like+a+Knife
https://myspace.com/bryanadams/music/album/cuts-like-a-knife-3929
1. "The Only One" 3:16
2. "Take Me Back" 4:41
3. "This Time" 3:20
4. "Straight from the Heart" (Adams, Eric Kagna) 3:31
5. "Cuts Like a Knife" 5:17
6. "I'm Ready" 3:58
7. "What's It Gonna Be" 3:40
8. "Don't Leave Me Lonely" (Adams, Vallance, Eric Carr) 2:58
9. "Let Him Know" 3:11
10. "The Best Was Yet to Come" 3:04
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