Showing posts with label gram parsons. Show all posts
Showing posts with label gram parsons. Show all posts

Wednesday, February 5, 2014

the gilded palace of sin








The Flying Burrito Brothers built the perfect bridge between rock and country with the Bakersfield blues meditations of this sinfully sweet underground classic. Chris Hillman and Gram Parsons had met while they were both members of the Byrds working on the album 'Sweetheart of the Rodeo'; and both of them left the band during the tour that followed. The pair met up again in Los Angeles and moved into a house in the San Fernando Valley they called "Burrito Manor." They teamed up with Chris Ethridge and "Sneaky" Pete Kleinow to form The Flying Burrito Brothers, taking the name from a group started by Parson's old bandmates Ian Dunlop and Mickey Gauvin, the rhythm section from the first incarnation of International Submarine Band.



'The Gilded Palace of Sin' features Gram Parsons on harmony and lead vocals, acoustic guitar, piano, and organ; Chris Hillman on harmony, lead and backing vocals, acoustic guitar, electric guitar, and mandolin; "Sneaky" Pete Kleinow on pedal steel guitar; and Chris Ethridge on bass guitar, piano, and backing vocals;   with Jon Corneal playing drums on tracks 1, 3, 4, 5, and 7; Popeye Phillips playing drums on tracks 8, 9, and 11; Eddie Hoh playing drums on tracks 2 and 10; Sam Goldstein playing drums on track 6; David Crosby on backing vocals on track 3; and the Hot Burrito Chorus on backing vocals for track 11.   The sessions were produced by The Flying Burrito Brothers, Larry Marks, and Henry Lewy at A&M Records in Hollywood, CA.    The sound of the album was a hybrid of gospel, country, rock, and soul that struck a responsive chord with critics; but only made it to number one hundred and sixty-four on the US album chart.  



Hillman considers:   "To this day the most productive time I've ever had, including all the bands I was ever in, the most productive time was living with [Parsons] in Reseda in 1968 when I was getting a divorce and so was he and we shared a house and we were putting the Burritos together then. We didn't have a drummer, we had Chris Ethridge and Sneaky Pete. We woke up in the morning and we would write every morning.... It was a great time. To this day I've never peaked like that working with other people ... That first album was a lot of fun.  It’s funky and it’s crude and technologically not even on the mark for what we were doing then. But it’s got some magic to it...The best thing about the Burrito Brothers experience was plugging into Gram’s insight on the R&B stuff, where he took ‘Do Right Woman,’ which was really a woman’s song [originally cut by Aretha Franklin] and performed it with a man’s point of view. Gram gave that and ‘Dark End of the Street’ – these beautiful rhythm & blues ballads – a country presentation, which really worked wonderfully. That’s where he shined. His knowledge and taste in music was impeccable...I give Gram full credit for getting me into playing R&B.  It was not my doing – I was very country-oriented. I loved the older blues thing, but that was something I couldn’t quite ever do. It was ludicrous for a middle-class white surfer kid from California to be trying to do Muddy Waters. Gram had more of an affinity to that, and it certainly opened my eyes to it and the fact of blending it with country...It was too country to get on FM rock radio, and it wasn’t slick or polished enough to get on country radio. But I’m sure we influenced lots of musicians out there – and that certainly outweighs monetary gain."


Parsons described the sound:    “It’s basically a Southern soul group playing country and gospel-oriented music with a steel guitar.”







http://www.theburritobrothers.net/



http://www.chrishillman.com/

http://www.gramparsons.com/





"Christine's Tune" (Parsons, Hillman) - 3:04
http://www.youtube.com/watch?v=BITiY8M_oDo



"Sin City" (Parsons, Hillman) - 4:11
http://www.youtube.com/watch?v=RCqxq6xqoXI



"Do Right Woman" (Chips Moman, Dan Penn) - 3:56
http://www.youtube.com/watch?v=B8mqq1x0rQU



"Dark End of the Street" (Chips Moman, Penn) - 3:58
http://www.youtube.com/watch?v=2VYxdqt4k3A



"My Uncle" (Parsons, Hillman) - 2:37
http://www.youtube.com/watch?v=J9zbia8-dVg




"Wheels" (Hillman, Parsons) - 3:04
http://www.youtube.com/watch?v=KCGbLZO4lGo



"Juanita" (Hillman, Parsons) - 2:31
http://www.youtube.com/watch?v=_0vWVpXHQNQ



"Hot Burrito #1" (Ethridge, Parsons) - 3:40
http://www.youtube.com/watch?v=0rrqBsG1yXs



"Hot Burrito #2" (Ethridge, Parsons) - 3:19
http://www.youtube.com/watch?v=0gOeU0MDTmc



"Do You Know How It Feels" (Parsons, Barry Goldberg) - 2:09
http://www.youtube.com/watch?v=IVQ1VVHzDdE



"Hippie Boy" (Hillman, Parsons) - 4:55












'The Gilded Palace of Sin' 
full album:



Side one
"Christine's Tune" (Parsons, Hillman) - 3:04
"Sin City" (Parsons, Hillman) - 4:11
"Do Right Woman" (Chips Moman, Dan Penn) - 3:56
"Dark End of the Street" (Chips Moman, Penn) - 3:58
"My Uncle" (Parsons, Hillman) - 2:37
Side two
"Wheels" (Hillman, Parsons) - 3:04
"Juanita" (Hillman, Parsons) - 2:31
"Hot Burrito #1" (Ethridge, Parsons) - 3:40
"Hot Burrito #2" (Ethridge, Parsons) - 3:19
"Do You Know How It Feels" (Parsons, Barry Goldberg) - 2:09
"Hippie Boy" (Hillman, Parsons) - 4:55



Flying Burrito Brothers 
Fillmore East,NYC
November 7,1970 Late Show





1. Lazy Days 00:27
2. One Hundred Years From Now 4:14
3. My Uncle 7:08
4. Cody Cody 9:48
5. Christine's Tune 12:45
6. Am A Pilgrim 17:45
7. Dixie Breakdown 21:19
8. Hand Jive 24:15
9. Wild Horses 28:10
10. Feel Good Music 33:11
11. Hot Burrito # 2 36:57
12. Six Days On The Road 41:45




Wednesday, January 15, 2014

grievous angel













Gram Parsons went down twenty thousand roads to head straight back home with this poignant cosmic cowboy country rock.   Cecil Ingram Connor III weathered a troubled childhood and was inspired to play in rock and roll bands in his teenage years after seeing Elvis Presley perform live.  He moved on to folk; and, while studying at Harvard Divinity School, he saw Merle Haggard and became obsessed with country music, forming the International Submarine Band.  The group moved to Los Angeles and recorded  'Safe at Home' for LHI Records in 1967.  The next year he was recruited by the Byrds for their album 'Sweetheart of the Rodeo' on Colombia Records.  He was instrumental in steering the album toward a more country sound; but his involvement was contested by LHI and Roger McGuinn rerecorded new vocals for three of the songs on which Parsons had sung.  Parsons left the band while they were in England planning a tour to South Africa.  During this time he also developed a friendship with Keith Richards of the Rolling Stones.  When he returned to Los Angeles he reconnected with Chris Hillman, who had also left the Byrds and together they formed the Flying Burrito Brothers, recording two albums of country rock for A&M Records ('The Gilded Palace of Sin' and 'Burrito Deluxe').  Both albums sold poorly; but were influential as they bridged country and rock like never before.  

Parsons signed a solo deal with A&M and did some sessions with Terry Melcher; but not much came of it as they were both lost in a haze of heroin and cocaine.  He accompanied the Rolling Stones on tour and moved in with Keith Richards at Villa NellcĂ´te during the recording of 'Exile on Main Street'.  Parsons and Richards spent a lot of time playing music together and doing lots of drugs; exacerbating Parson's tempestuous relationship with Gretchen Burrell and contributing to their being asked to leave by Richards' girlfriend  Anita Pallenberg.  Back in the states, Parsons and Burrell got married; and then, while visiting friends in England, Parsons was able to kick heroin.   After doing a one off show with the Burrito Brothers,  Chris Hillman suggested that Gram go and see Emmylou Harris perform at a club in Washington D.C.; after which Parsons invited her to come to Los Angeles and sing on his debut solo album, 'GP'.  The album also featured Elvis Presley's guitarist James Burton.  



Gram Parsons and the Fallen Angels did a tour for the album with a new lineup that featured Harris singing duets with Gram, a situation that created problems with Gretchen.   Parsons would express at the time:  "I was trying to find out more about everything I wanted to do and the kind of way I wanted to do it and  it's sometimes not as easy as just popping a pill and sitting down and having a big lightbulb shine above your head.  Sometimes you have to really get down into it and clean out all the old ideas.   It takes a while sometimes.  You shouldn't  expect miracles or anything.  But it's come along; it's coming together...All that matters is that you play music...I played a lot of sessions but I played mostly with friends.  It's a hard thing to do making a living; but I have some good friends.  They all wanted to play music and that kept it going.  I just ain't into the old group thing too much anymore.  I like working as a solo artist and there are a couple of people I like to sing with and if they want to stick around, fine.  But I think a lot of musicians these days feel that they  don't want to be tied into an organization inside a record company.  Its a lot like being in the penitentiary.  They'd rather work just as solo freelance people.  I mean, get connected and get an identification with  a couple of people, sure.  If that happens fine.  But people should understand that you can't stick together as 'Billy, Fuzzy, and Bobby' for very long."


His second album 'Grievous Angel' was recorded during the summer 1973 at Wally Heider Studio 4 in Hollywood, California.  The sessions featured Gram Parsons on production, lead vocals and acoustic guitar; Emmylou Harris on vocals on all songs except "Brass Buttons"; Glen D. Hardin on piano and electric piano on "Brass Buttons"; James Burton on electric lead guitar; Emory Gordy, Jr. on bass; Ronnie Tutt on drums; Herb Pedersen on acoustic rhythm guitar and electric rhythm guitar on "I Can't Dance"; Al Perkins on pedal steel;  with Bernie Leadon on acoustic guitar on "Return of the Grievous Angel", electric lead guitar on "Hearts on Fire", and dobro on "In My Hour of Darkness"; Byron Berline on fiddle on "Return of the Grievous Angel", "Medley Live from Northern Quebec" & "In My Hour of Darkness", mandolin on "Medley"; N.D. Smart on drums on "Hearts on Fire" and "In My Hour of Darkness"; Steve Snyder on vibes on "Medley Live from Northern Quebec"; Linda Ronstadt on harmony vocal on "In My Hour of Darkness"; and Kim Fowley, Phil Kaufman, Ed Tickner, Jane & Jon Doe doing the "Background blah-blah" on "Medley Live from Northern Quebec".  When the sessions were over, Parsons separated from Gretchen and went to Joshua Tree National Park with his childhood sweetheart Margaret Fisher, with whom he had recently reconnected.  While there, he overdosed on morphine and tequila and died just after midnight on September 19, 1973.  


Harris reveals:  "I felt he was on the upswing. He had stopped drinking. He seemed to me like he had more and more sober moments. He seemed healthier. But I do remember Bernie Leadon coming over. We had a funny old softball game, just a bunch of crazy hippies pretending they knew how throw a ball, Phil Kaufman being the umpire - just a fun day, out in the sun. And I heard Bernie say, 'Gram looks terrible.' And I thought, 'It's not true - he doesn't look terrible.' In my mind, because I had got so close to him, and because he was sober, I could only see that he was getting better; getting out of an abyss. Maybe I was just in denial, I don't know. But his death came as a real shock to me, because I thought that if he had been in any danger, he had escaped, or he was on his way out of that... A lot of that had to do with my naivete. And just being young and thinking, 'Well, this just can't possibly happen.' And also, he was so important in my life. I was looking to him for so much. And the music had become so important: I was a part of something that seemed bigger than both of us. All I could see was the future, and all the work we were going to do, and all the great music we were going to make. It just seemed like it was the beginning, instead of the end. It never occurred to me that it could be the end ... Working with Gram was a wonderful experience.  He was wildly misunderstood, too country for the rockers and too weird for the Nashville establishment. But he had a vision and a love for those old Louvins harmonies that was intense and powerful...I had no fire in me until Gram died; but afterwards I felt strongly that I had to continue his work. It was hard going solo but my attitude was always, ‘How would Gram do this?’ and somehow my sound evolved."

'Grievous Angel' was released in January of 1974 and only charted at number one hundred and ninety five.   It remains an underground classic.  







http://www.gramparsons.com/




http://www.gramparsonsproject.com/






http://www.youtube.com/playlist?list=PLKxFoJnNQYJC0kfZJI4v38WFuuzwdyX4H


https://myspace.com/gramparsons/music/album/grievous-angel-10986843






full album:








"Return of the Grievous Angel" (Gram Parsons, Thomas Brown) – 4:19



Won't you scratch my itch sweet Annie Rich

And welcome me back to town
Come out on your porch or I'll step into your parlour
And I'll show you how it all went down
Out with the truckers and the kickers and the cowboy angels
And a good saloon in every single town

And I remember something you once told me

And I'll be damned if it did not come true
Twenty thousand roads I went down, down, down
And they all lead me straight back home to you

'Cause I headed West to grow up with the country

Across those prairies with the waves of grain
And I saw my devil, and I saw my deep blue sea
And I thought about a calico bonnet from Cheyenne to Tennessee

We flew straight across that river bridge, last night half past two

The switch-man wave his lantern goodbye and good day as we went rolling through
Billboards and truck stops pass by the grievous angel
And now I know just what I have to do

And the man on the radio won't leave me alone

He wants to take my money for something that I've never been shown
And I saw my devil, and I saw my deep blue see
And I thought about a calico bonnet from Cheyenne to Tennessee

The news I could bring I met up with the king

On his head an amphetamine crown
He talked about unbuckling that old bible belt
And lighted out for some desert town
Out with the truckers and the kickers and the cowboy angels
And a good saloon in every single town

And I remember something you once told me

And I'll be damned if it did not come true
Twenty thousand roads I went down, down, down
And they all lead me straight back home to you
Twenty thousand roads I went down, down, down
And they all lead me straight back home to you

http://www.youtube.com/watch?v=1PytxPaU6k4



"Hearts on Fire" (Walter Egan, Tom Guidera) – 3:50
http://www.youtube.com/watch?v=qDDh-CHZyA4



"I Can't Dance" (Tom T. Hall) – 2:20
http://www.youtube.com/watch?v=9BXUdxNi1j8



"Brass Buttons" (Parsons) – 3:27



"$1000 Wedding" (Parsons) – 5:00






"Medley Live from Northern Quebec:"
(a) "Cash on the Barrelhead" (Charlie Louvin, Ira Louvin) – 2:12
(b) "Hickory Wind" (Parsons, Bob Buchanan) – 4:15



"Love Hurts" (Boudleaux Bryant) – 3:40




"Las Vegas" (Parsons, Ric Grech) – 3:29




"In My Hour of Darkness" (Parsons, Emmylou Harris) – 3:42







"Sleepless Nights" was the intended title track.  




 "The Angels Rejoiced in Heaven Last Night"




 "Brand New Heartache"