streetcore

Joe Strummer and The Mescaleros found redemption in the midnight jams and scrappy rockers of this stirring spiritual swansong.  The group had found a measure of success with their first two albums ('Rock Art and the X-Ray Style' and 'Global A-Go-Go') of worldbeat folk that provided some vindication for Strummer after his long years spent wandering after the Clash disbanded. 

In the final months of his life, he began work on the the songs that would make up 'Streetcore' while living with his wife and three daughters in Somerset in the county of Wessex, 350 miles west of London.  Strummer expressed at the time:   "My face is very deep in the mud.  I can't see the trees or the woods or the valley or the hills. You can only follow what's on your mind. In fact, a song is something you write because you can't sleep unless you write it ... We’re always in rooms in modern life, we never really think about were on a planet circling through space. Which is really weird; we almost shouldn’t exist. And being down here, you walk outside to piss on the grass and the whole celestial thing is looking at you...It knocks your head off ...  Grow up? Me? No way!   I never pay any attention to the concept of time.  I just try to appreciate the trees and sunsets and concentrate on the good aspects of life. I want to be the ruler of my own mind, what's left of it."

In November of 2002, during a benefit show for striking miners in London, Mick Jones joined Strummer and The Mescaleros onstage for a set of Clash tunes.  It was the first time they had been on stage together since the 1983 tour for 'Combat Rock'.   Little more than a month later on December 22, 2002, Strummer died suddenly from a heart attack after walking his dogs at his Somerset home. 

'Streetcore' was assembled from various first takes, cover songs, and snippits from his London Calling radio show on BBC.  The album features Joe Strummer on vocals, guitar, vocal samples, photography, and artwork; Martin Slattery on synthesizer, guitar, organ, Chamberlin, tambourine, piano, Wurlitzer electric piano, Mellotron, drums, percussion, tenor saxophone, backing vocals, programming, production, engineering, and mixing; Scott Shields on drums, acoustic guitar, bass guitar, percussion, slide guitar, electric guitar, synthesizer, harmonica, cowbell, backing vocals, programming, production, engineering, and mixing; Simon Stafford on bass guitar, trombone, guitar, cello, cornet, and backing vocals; Luke Bullen on drums, congas, and loops; and Tymon Dogg on violin;   with Josh Freese on drums; Smokey Hormel on guitar; Rick Rubin on piano, production, and mixing; Peter Stewart on backing vocals; Benmont Tench on harmonium; Danny Saber on production and mixing; and Cameron Craig on programming, mixing, and engineering. 

Strummer would reflect on his musical legacy:  "How would I like to be remembered?  Well, I think it's all about reincarnation, you know. So I don't really care about being remembered, because then you're missing the point...Love of music really motivates us; what a beautiful feeling creativity is.  There's no way we can get on radio or video channels, so we have to fight for our corner like we're totally unknown...I will always believe in punk-rock, because it's about creating something for yourself. Part of it was: 'Stop being a sap! Lift your head up and see what is really going on in the political, social and religious situations, and try and see through all the smoke screens.' This is a fantastic thing to try and follow through on ... Yeah, all those things, responsibility, pressure. It's a bit stressful. I try and come to terms with it by not thinking about it. It is dangerous not to know your position in the world; i.e., your position with respect to the relationship between your work and what you do and the real world. I like to keep my feet on the ground, so I denigrate it a bit so that I'm not floating off in a cloud of self-congratulation which is an alien thing to do if you're trying to write or play music, although having self confidence is good. There's got to be a limit to it. You cannot float away patting yourself on the back. Anyway, it's a long time ago. It's almost someone else's history."

'Streetcore' was the final shoutout of roots reggae rock from one of the pioneers of the form:  a solid set of songs featuring alternating blasts of rock fury, base heavy funk, and country rock with the wizened perspective of a veteran making the most of what's left of his world.  He will be missed.










http://www.joestrummer.org/











"Coma Girl"






"Get Down Moses"   
http://www.youtube.com/watch?v=l3UzxESQE64

http://www.youtube.com/watch?v=GHrSerYYD-g







"Long Shadow"   
http://www.youtube.com/watch?v=-Wz1DhHYhwg













'Streetcore' 
full album:




All lyrics written by Joe Strummer, except where noted. 

1. "Coma Girl"   Scott Shields, Martin Slattery, Strummer 3:48
2. "Get Down Moses"   Luke Bullen, Shields, Slattery, Simon Stafford, Strummer 5:05
3. "Long Shadow"   Smokey Hormel, Strummer 3:34
4. "Arms Aloft"   Bullen, Shields, Slattery, Stafford, Strummer 3:47
5. "Ramshackle Day Parade"   Bullen, Shields, Slattery, Stafford, Strummer 4:02
6. "Redemption Song" Bob Marley Bob Marley 3:28
7. "All in a Day"   Danny Saber, Strummer 4:55
8. "Burnin' Streets"   Shields, Slattery, Strummer 4:32
9. "Midnight Jam"   Bullen, Shields, Slattery, Stafford, Strummer 5:50
10. "Silver and Gold" (cover of Bobby Charles' "Before I Grow Too Old") Dave Bartholomew, Antoine Domino, Bobby Charles (Robert Guidry) Dave Bartholomew, Antoine Domino, Bobby Charles 2:38

it still moves

My Morning Jacket moved on to the majors while staying on the farm for the emotional echo of this spacey southern sprawl.  After building their reputation with two albums on independent Darla Records, the band signed with RCA subsidiary According to Our Records (ATO Records) to record 'It Still Moves'.  The album features Jim James on vocals, guitars, and artwork; Johnny Quaid on guitars, vocals, and artwork; Tom Blankenship on bass; Danny Cash on keyboards, artwork, graphic design, and layout design; and Patrick Hallahan replacing J.Glenn on drums.  

Jim James produced the sessions at Above the Cadillac Studios at Quaid's grandparents' farm in Shelbyville, Kentucky.  James explains:    "We live in a different world than the world that my favorite records were made in.  For us to make records that I think sound good, we need to create our own world...That whole garage we turn into a giant reverb chamber for the drums.  Pull all the cars out and mic it up. There are also a couple of silos out back, and we turn those into old-fashioned reverb chambers — put a speaker in the bottom and throw a microphone up top... We ran some Ethernet cable out to the silo — it was the cheapest, because we had to run 600 feet of cable out there." The result meant that they could easily send everything — from a single snare hit to the entire album — out to the silo for reverb treatment and back to the mixing board...We're five dudes in a van; we can't always convey everything live. We have to look at [performance] in a different sense — you're trapped in a van all day, spending nights in different hotel rooms, so by the time we get on stage, we don't hold anything back. A record is going to last forever. We try to think about it and add everything that we want to hear forever — whether we're here for 20 more years or two more days."

 'It Still Moves' made it to number one hundred and twenty one on the US billboard 200 album chart, sixty two in the UK, fifty four in Sweden, and number two on the US billboard heatseekers chart.  







http://www.mymorningjacket.com/













"One Big Holiday" – 5:21







"Dancefloors" – 5:38
http://www.youtube.com/watch?v=DXh7BrishrQ






"Easy Morning Rebel" – 5:09
http://www.youtube.com/watch?v=zy8KeqSML0k





"Rollin' Back" – 7:50
http://www.youtube.com/watch?v=F0Bl3K9mGKg



"One in the Same" – 6:23
http://www.youtube.com/watch?v=LKJOFsKs82I









full album:




All songs written and composed by Jim James. 


1. "Mahgeetah"   5:56
2. "Dancefloors"   5:38
3. "Golden"   4:39
4. "Master Plan"   5:05
5. "One Big Holiday"   5:21
6. "I Will Sing You Songs"   9:18
7. "Easy Morning Rebel"   5:09
8. "Run Thru"   5:45
9. "Rollin Back"   7:50
10. "Just One Thing"   3:13
11. "Steam Engine"   7:26

12. "One in the Same"   6:23

the wind

Warren Zevon faced his mortality with the raw reflections of this emotional epitaph.  His twelfth and final album was begun as soon as he found out that he had terminal lung cancer.  Zevon revealed in his last interview:  "I've always been a little doctor-phobic and never have gotten checkups. I had this shortness of breath for a while. One of my best friends is my dentist, Dr. Stan. I used to say, 'If Dr. Stan can't fix it, call 911. I'm done.' I mentioned to him that I had shortness of breath. He said, 'Is it worse when you sleep?' 'Yes.' 'Well, we're going to a cardiologist.' I was lucky; I got all the shocking news in the course of one day. Now I feel like I'm irritating people because I`ve exceeded predictions that I only had a few months... I decided to start recording almost immediately, because it's the only thing I know how to do. It's so engrossing and engaging that it takes your mind off whatever minor business your life is going through...One of the reasons I can't complain about my present circumstances is that I've always written about death. Hemingway said all good stories ended in death, and I write songs about death and violence for some reason. Some of them are based on my upbringing and some are based on my reading habits. We live in a culture where violence is all around us and I found myself writing more songs about violence than romantic subjects. I like to think I have some goodhearted romantic impulses now and then, but for the most part I write a different kind of song...I'm more interested in communicating what meager ideas I think I have about living. I'm interested in saying goodbye to a few people, too...About 25 years ago, Jackson [Browne] said to me, you get by with a little help from your friends. This album I'm doing almost exclusively with my oldest friend Jorge Calderón. We're also working with people I've always wanted to work with like Ry Cooder. Dwight Yoakam is one of my favorite people to sing with because I'm so enraptured with his voice. Billy Bob Thornton has a voice that really blends well with mine, too. Sometimes you can get an emotional resonance from an actor-singer that you might not get from a musician...Everybody thinks the album is called 'Dirty Life and Times', after the first track and the oldest song. But even I am not cavalier enough to leave this world with that sentiment. The album's called 'The Wind', because it figures into one of the important songs of the album that I wrote for my girlfriend Kristen, and because the first song of significance that I wrote was "Hasten Down The Wind" that Linda Ronstadt recorded. The wind's always been my friend...It's gradually getting worse, naturally. There's certain medication that masks the symptoms. But I have no complaints. I expected it to be worse. I asked a friend of mine who's a cancer survivor if she thought I had a good chance of dying with my boots on, and she said yeah. So that's a hope...I have never liked the word "fans" because it seems very self-aggrandizing. I prefer to call them the customers, although that sounds callous. But I don't have anything to say to them that I haven't already said. Writing songs is an act of love. You write songs 'cause you love the subject and want to pass that feeling on. I've always said that songwriting was designed for the inarticulate. [Laughs.] Some songwriters might not agree or comply with that idea, but that's how I feel about it. So I don't have any big farewell speech."

'The Wind' was produced by Jorge Calderón, Noah Scot Snyder, and Warren Zevon.  The all-star sessions featured Warren Zevon on vocals, piano, keyboard, acoustic guitar, and electric guitar; Jorge Calderón on acoustic guitar, bass guitar, maracas, tres, Spanish-language vocals, and backing vocals; Don Henley, Jim Keltner, and Steve Gorman on drums; Ry Cooder on guitar and slide guitar; Bruce Springsteen and Brad Davis on electric guitar and backing vocals; Randy Mitchell on slide guitar and backing vocals; Tommy Shaw on 12-string acoustic guitar and backing vocals; David Lindley on lap steel guitar; Joe Walsh on slide guitar; Reggie Hamilton on upright bass; David Lindley on electric saz and backing vocals; Luis Conte on bongos, drums, and percussion; James Raymond on piano; Mike Campbell on electric guitar; Gil Bernal on saxophone; and Billy Bob Thornton, Dwight Yoakam, John Waite, Jackson Browne, T-Bone Burnett, Jordan Zevon, Tom Petty, and Emmylou Harris on backing vocals.

'The Wind' was released just two weeks before Warren succumbed to his illness on September 7, 2003. The album went to number fifty-seven in the UK and number twelve in the US.  It won the Grammy Award for Best Contemporary Folk Album. 







http://www.warrenzevon.com/








"Disorder in the House" was performed with Bruce Springsteen.  It won a Grammy for Best Rock Vocal Performance by a Group or Duo.
http://www.youtube.com/watch?v=ACSeVC6umzg




"Numb as a Statue" 
http://www.youtube.com/watch?v=oi_lgSJB5jQ






"Keep Me in Your Heart" 
"I don't think anybody knows quite what to do when they get the diagnosis. I picked up the guitar and found myself writing this kind of farewell. Instantly I realized I'd found what to do with myself. On reflection it might be a little bit of a "woe is me" song, but it made me realize what I was going to do with the rest of the time. It may be the last song on the album, but it was the first song I wrote."
http://www.youtube.com/watch?v=RMTKb-pgxGI








'(Inside) Out' documentary
http://www.youtube.com/watch?v=hIaOHkeQNMk






'The Wind' full album:

https://www.youtube.com/playlist?list=PLCD07591D7B4F6359




1. "Dirty Life and Times" (Zevon) 3:15
2. "Disorder in the House" (Jorge Calderón, Zevon) 4:36
3. "Knockin' on Heaven's Door" (Bob Dylan) 4:05
4. "Numb as a Statue" (Calderón, Zevon) 4:08
5. "She's Too Good for Me" (Zevon) 3:12
6. "Prison Grove" (Calderón, Zevon) 4:51
7. "El Amor de Mi Vida" (Calderón, Zevon) 3:34
8. "The Rest of the Night" (Calderón, Zevon) 4:41
9. "Please Stay" (Zevon) 3:34
10. "Rub Me Raw" (Calderón, Zevon) 5:44
11. "Keep Me in Your Heart" (Calderón, Zevon) 3:28

youth and young manhood

The Kings of Leon found deliverance in the fiery rock and roll of this soulful southern stew.    Brothers Nathan, Caleb, and Jared Followill grew spent their childhood years traveling around the south and midwest as their father, a Pentecostal preacher, would move between engagements.  They often slept in their car and didn't stay in one place very long and were primarily home schooled by their mother.  Caleb says:   "People picture this great traveling lifestyle. There were moments that were awesome, and then there were moments that we don't think were that awesome. I guess it was tough, and it shows more on us now than it did then, because at the time it was just our lives and we didn't know it was weird...It kind of made us colder, it made it easier for us to walk away from people."

When their parents divorced, older brothers Nathan and Caleb moved to Nashville where they embraced the rock and roll lifestyle, while ten year old Jared went to live in Oklahoma.  In Nashville, the brothers began collaborating with songwriter Angelo Petraglia.  As they honed their craft, they caught the attention of RCA Records.  Rather than audition people for the group, they asked their younger brother and their cousin Matthew Followill to join.  Nathan remembers their mindset:   "We don't want to be Evan and Jaron. We're going to buy our little brother a bass, he's a freshman in high school. Caleb will teach himself the guitar, Matthew played guitar when he was 10 and I'll play the drums. They said, 'All right, we'll come down in one month and see you guys.'"

'Youth and Young Manhood' was recorded at Sound City Studios in Van Nuys, California and Shangri-La Studio in Malibu with Caleb Followill on vocals and rhythm guitar; Matthew Followill on lead guitar and piano; Jared Followill on bass guitar and piano; and Nathan Followill on drums, percussion, and vocals.  The sessions were produced by Angelo Petraglia and Ethan Johns.  

'Youth and Young Manhood' went to number one hundred and thirteen in the US, ninety-seven in France, fifty-two in Germany, forty-six in Australia, forty-three in New Zealand, eighteen in Ireland, and number three in the UK.  





http://www.kingsofleon.com/








'Youth and Young Manhood'
full album:
http://vimeo.com/65463725

Kings of Leon - Youth & Young Manhood [Full Album] from earlpearlgrey on Vimeo.

01. 00:00 Red Morning Light
02. 03:00 Happy Alone
03. 07:00 Wasted Time
04. 09:46 Joe's Head
05. 13:08 Trani
06. 18:08 California's Waiting
07. 21:37 Spiral Staircase
08. 24:32 Molly's Chambers
09. 26:48 Genius
10. 29:37 Dusty
11. 33:58 Holy Roller Novocaine

dangerously in love

Beyoncé Knowles spent a year recording forty-three songs with thirteen producers in seven studios for the romantic whirlwind of her blockbuster solo debut. Knowles was the final member of Destiny's Child to release a solo album after Michelle Williams' 'Heart to Yours' and Kelly Rowland's 'Simply Deep'. The trio had taken time to pursue solo projects after the completion of their album 'Survivor'. The production of her album occurred as she appeared as Foxxy Cleopatra in 'Goldmember' (recording her debut single "Work It Out" for the soundtrack) and Lilly in 'The Fighting Temptations' and performing with Jay-Z on his "'03 Bonnie & Clyde" single. The sessions for 'Dangerously in Love' took place at Patchwerk Studios in Atlanta, Georgia; SugarHill Studios in Houston, Texas; South Beach Studios in Miami, Florida; Baseline Studios, SoHo Studios, & Sony Music Studios in New York, New York; and COE.BE.3 Studios in Stone Mountain, Georgia with production credited to Beyoncé Knowles, Rich Harrison, Scott Storch, Missy Elliott, Craig Brockman, Nisan Stewart, Bryce Wilson, Focus..., Andreao "Fanatic" Heard", Sherrod Barnes, D-Roy, Mr. B, Nat Adderley, Jr., Errol "Poppi" McCalla, Jr., and Mark Batson.


Every song featured Beyoncé as lead vocalist, producer, executive producer, vocal producer, and songwriter; and the sessions included guest contributions from Big Boi, Makeda Davis, Missy Elliott, Guru, Cissy Houston, Jay-Z, Sean Paul, Sleepy Brown, and Luther Vandross. The inspiration for the album came from her blossoming relationship with Jay-Z. Knowles later explained: "I wanted to have an album that everyone could relate to and would listen to as long as I'm alive and even after ... Love is something that never goes out of style. It's something everybody experiences, and if they are not in love, people usually want to feel that."

The album was a blockbuster success, going to the top of the charts all over the world and making Knowles the first female artist (and fifth artist ever) to hit number one on the singles and albums charts in both the UK and the US simultaneously following The Beatles, Simon & Garfunkel, Rod Stewart, and Men at Work. 'Dangerously in Love' garnished Knowles three MTV Video Music Awards for "Crazy in Love"; four Billboard Music Awards; and Grammy Awards for Best Contemporary R&B Album and Best R&B Song, Best Rap/Sung Collaboration for "Crazy in Love", Best R&B Performance By A Duo Or Group With Vocals for "The Closer I Get to You" with Luther Vandross and Best Female R&B Vocal Performance for "Dangerously in Love 2". It has sold over eleven million copies worldwide.









http://www.beyonce.com/









"Crazy in Love" (featuring Jay-Z)






'Dangerously in Love'

full album:

1. "Crazy in Love" (featuring Jay-Z)

Beyoncé Knowles Rich Harrison Shawn Carter Eugene Record

Harrison Knowles

3:56

2. "Naughty Girl"  

Knowles Scott Storch Robert Waller Angela Beyoncé Pete Bellotte Giorgio Moroder Donna Summer

Storch Knowles

3:28

3. "Baby Boy" (featuring Sean Paul)

Knowles Storch Sean Paul Henriques Waller Carter

Storch Knowles

4:04

4. "Hip Hop Star" (featuring Big Boi and Sleepy Brown)

Knowles Bryce Wilson Makeda Davis Antwan Patton Carter

Knowles Wilson

3:42

5. "Be with You"  

Knowles Harrison Beyincé Shuggie Otis George Clinton Jr. William Collins Gary Cooper

Harrison Knowles

4:20

6. "Me, Myself and I"  

Knowles Storch Waller

Storch Knowles

5:01

7. "Yes"  

Knowles Bernard Edwards Jr. Carter

Knowles Focus...

4:19

8. "Signs" (featuring Missy Elliott)

Elliott Nisan Stewart Craig Brockman

Elliott Brockman[a] Stewart[a] Knowles[b]

4:58

9. "Speechless"  

Knowles Andreao "Fanatic" Heard Sherrod Barnes Beyincé

Knowles Heard Barnes

6:00

10. "That's How You Like It" (featuring Jay-Z)

Delroy Andrews Brian Bridgeman Knowles Carter Randy DeBarge Eldra DeBarge Etterlene Jordan

D-Roy Mr. B Knowles

3:39

11. "The Closer I Get to You" (duet with Luther Vandross)

James Mtume Reggie Lucas

Nat Adderley Jr. 4:57

12. "Dangerously in Love 2"  

Knowles Errol "Poppi" McCalla Jr.

Knowles McCalla Jr.

4:53

13. "Beyoncé Interlude"   Knowles Knowles 0:16

14. "Gift from Virgo"  

Knowles Otis

Knowles 2:43

15. "Daddy"  

Knowles Mark Batson

Knowles Batson

4:58

decoration day

The Drive-By Truckers got personal with the outlaw country rock of this monumental tribute to the small scale stories of the South.  After the critical acclaim of their double-album 'Southern Rock Opera' the group continued their triple guitar onslaught with hair raising results.  'Decoration Day' was recorded live in the studio at Chase Park Transduction Studios in Athens, Georgia with Mike Cooley on guitar and vocals; Earl Hicks on bass; Patterson Hood on guitar and vocals; Jason Isbell on guitar and vocals; and Brad Morgan on drums; with David Barbe on production, engineering, mixing, guitar, keyboards, Wurlitzer, and upright piano; Scott Danborn on fiddle; Clay Leverett on harmony; John Neff on pedal steel; Spooner Oldham on Wurlitzer; and Shonna Tucker on upright bass.  

Hood says:    "'Decoration Day' more or less became an album about choices, good and bad, right and wrong, and the consequences of those choices.  The songs come from some dark times. The band had spent several years on the road, recording four albums between tours, and often leaving loved ones back home, to deal with all kinds of financial hardships alone. The same period also saw the passing of several loved ones (some by natural causes, and some not). Eventually the turmoil began to take its toll on the band itself.  Despite the dark nature of most of the songs, the album was a blast to record. New guitarist Jason Isbell joined the band about a year earlier and contributes two amazing songs, including the title cut. Everyone involved seems to have come out the other end of all the previous turmoil. David Barbe rolled the tape, capturing the band in its finest form ever. Seven of the songs were first takes (with about five second takes), yet for the first time, the band had the luxury of spending a little more time on the details."









http://www.drivebytruckers.com/







"The Deeper In" 
http://www.youtube.com/watch?v=umCXmWcKJK8
http://www.youtube.com/watch?v=kvId33nqBG0




"Sink Hole"
http://www.youtube.com/watch?v=-Q-Ma6UlrtA






"Marry Me"
“'Marry Me' is one that I always, always play. It’s a lot of fun to play. It was inspired -- I don’t know if this was true, but I don’t care -- but there was this friend of mine, he had a girlfriend named Mary, but he broke up with her and got another girlfriend. One night he and his new girlfriend are getting busy, and he started saying the wrong name. She’s like, 'What did you say?' and he’s 'Mary…Marry…me.'  I wanted to write something about him, and that story summed him up perfectly. That was how quick he was. He was killed in a car wreck right in the year that we started this band. He was kind of supposed to be part of it, and that song was who he was, every line in it. That’s one of my favorites that I’ve ever written; it’s a rock 'n' roll song and it had to be that. I’m always proud if I can get a good rock 'n' roll song that’s got some substance to it. I’m happier. If every one of them could be that, they would be."
http://www.youtube.com/watch?v=VlcOs3fCN3M




"My Sweet Annette"
http://www.youtube.com/watch?v=J-PF1Egqz3g



"Outfit" 
http://www.youtube.com/watch?v=HyJ9JfWbKLE
http://www.youtube.com/watch?v=kObBZVj_Zjc



"Heathens"
http://www.youtube.com/watch?v=4cY8x_bafIA






"(Something's Got to) Give Pretty Soon" 
http://www.youtube.com/watch?v=v-Qia8Mm5dU






"Careless"
http://www.youtube.com/watch?v=t_PpP0qWjw0







"Decoration Day" 
"This was the first song I wrote after joining the band, and it uses a fictional protagonist to tell a story that's rumored to be true. If a fight goes on long enough, it can be impossible to remember who started it. I really love the coda. Barbe and the boys turned it into a tornado."
http://www.youtube.com/watch?v=LDpCkx6hSCI



"Loaded Gun in the Closet" 
http://www.youtube.com/watch?v=5HcMqld-RLI



'Decoration Day' 
full album:



1. "The Deeper In" Hood 3:15
2. "Sink Hole" Hood 3:27
3. "Hell No, I Ain't Happy" Hood 4:38
4. "Marry Me" Cooley 5:42
5. "My Sweet Annette" Hood 3:51
6. "Outfit" Isbell 4:06
7. "Heathens" Hood 4:47
8. "Sounds Better in the Song" Cooley 4:08
9. "(Something's Got to) Give Pretty Soon" Hood 3:38
10. "Your Daddy Hates Me" Hood 6:40
11. "Careless" Hood 2:07
12. "When the Pin Hits the Shell" Cooley 4:10
13. "Do It Yourself" Hood 3:20
14. "Decoration Day" Isbell 5:47
15. "Loaded Gun in the Closet" Cooley 5:13